Released in 2016, and followed with a second volume in 2018, Soul Jazz’s Venezuela 70: (Cosmic Visions of a Latin American Earth: Venezuelan Experimental Rock in the 1970’s) is a heady brew and one hot stew of a melting pot, blending Latin rhythms and Venezuelan roots with krautrock, baroque pop, intergalactic jazz, spaced-out garage rock, exotica lounge, and technicolor psych-pop.
A weird beast twisted in the very best sense, the hypnagogic assemblage finds its curator (Belgian dj, soFa) mining a disparate trove of curios from around the globe. Aesthetically eclectic, the set maintains a loosely connected through-line, one that equally embraces a German children’s choir, dumpster synths, nascent drum machines, and 8-bit madness.
Over the past five years, Light in the Attic have offered wanderlusting listeners a series of primers with reissue compilations featuring music not yet released officially outside of Japan.
The label’s latest collection is called Somewhere Between. Subtitled Mutant Pop, Electronic Minimalism & Shadow Sounds of Japan 1980–1988, this compilation attempts to connect the dots between various fringe figures operating outside of the country’s monolithic commercial music industry.
Released at the tail end of last year, the double lp Kreaturen Der Nacht compiles rarities and oddities from Germany’s post-punk and independent underground spanning the years 1980-85.
A spiritual successor to Golden Apples of the Sun, the recent compilation Fragments du Monde Flottant proves Devendra Banhart’s ears fully intact. Released by the Genève, Switzerland based Bongo Joe Records, Fragments again finds the singer-songwriter in a curatorial role, culling demo recordings from his labyrinth of friends, acquaintances and musical compatriots.
Originally a handmade mix CD compiled by French collectors Julien Dechery and DJ Sundae and sold at a Parisian boutique, Australia’s Efficient Space label brought Sky Girl to the masses […]
The best compilations peel back the curtain, offering a glimpse at obscured musical traditions, and leave the listener wanting more. No matter what kept American ears from hearing the varied […]