This week on Transmissions, we welcome returning guest Cécile Schott, aka Colleen. Her latest, Le Jour Et La Nuit Du Reel, was tracked using a minimalistic setup, a Moog Grandmother and two delays: a Roland RE-201 Space Echo and a Moogerfooger Analog Delay.
But for Schott, this assemblage allows for near infinite synthesis, and a genuine multitude of expression. As the world gets stranger and more difficult to understand, the record wordlessly questions what is real—and the times of day and night when the line between real and imaginary blurs . . .
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