A reminder that in a world of beautiful sounds, jewels can be discovered at any point. In the ten years since its release, Anna Ahnlund’s Omnejd has seemingly been a lost opus standing with the best of the freak-inclined folk world. With a host of perceived influences running the gauntlet from Vashti Bunyan to Andrew Bird to Devendra Barnhart, and accolades in her home Sweden, it must be some sort of oversight that this record has remained aloof for so long . . .
Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.
To continue reading, become a member or log in.
