Sometime in the mid-1980s, John Zorn was hanging out in New York City’s East Village when he made a career-altering choice: to take in a hardcore show at CBGBs. The experience profoundly shaped his next album, the ultra fast, ultra brief Spy vs Spy: The Music of Ornette Coleman . . .
Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.
To continue reading, become a member or log in.
