Dim the lights. Chill the glasses. Loosen your tie; kick off your heels. For the latest installment of our "Midnite Jazz" column, we look at Billy Strayhorn's The Peaceful Side (1963), a ghostly offering of sparse jazz standards that showcase Strayhorn not as Duke Ellington's right-hand man, but as a formidable solo artist in his own right . . .
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