This second album from Bitchin’ Bajas’ Cooper Crain and Bill MacKay is more composed and less improvised than its predecessor Foreign Smokes, its ideas worked out not on the fly but over time as the two musicians honed their tunes in the live setting. These tracks pursue intricate, repeated riffs that are more regular, almost geometrical, than the ones on the debut album, which tended towards spreading pools of tone washed sound . . .
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