We caught up with Sam Gendel to learn more about the spontaneous production of Satin Doll, his friendship with Louis Cole, touring with Ry Cooder, collaborating with indie rock veterans, and navigating his peculiar relationship with jazz.
Category: The AD Interview
Jon Hassell :: The Aquarium Drunkard Interview
Vernal Equinox introduced a new form of music, which Hassell and others who followed him called “fourth world,” a mix of classical Indian music, electronics, jazz, field recordings and ambient music.
More than 40 years later, the record still feels timeless and fresh, floating in a liminal space between the age-old traditions of raga and the innovations just beginning in electronics and tape manipulation. …
Real Estate :: The Aquarium Drunkard Interview
The Main Thing finds the band charting new ground, at times by looking inwards and at times by looking back. Aquarium Drunkard reached the band’s Martin Courtney by phone, to discuss how memory, touring, and a decade-plus as a group influenced the subjects of their latest LP.
Lee Ranaldo & Raül Refree :: The Aquarium Drunkard Interview
On Names of North End Women the new collaborative lp by former Sonic Youth guitarist Lee Ranaldo and Spanish producer/composer Raül Refree, the duo condense electronic pulses, shifting rhythms, tape loops, and far out (and frequently lusty) poetry into a beguiling collage. “I think the idea of going forward is to try to venture into more different places,” Ranaldo says, “rather than fall back into familiar sound-worlds from the past.”
Makaya McCraven: The Aquarium Drunkard Interview
McCraven is a musician, composer and bandleader, but he is also highly regarded for his “chopping” or remixing and re-imagining production skills. We’re New Again, his reconfiguration of the late-career classic Gil Scott Heron album I’m New Here, will be one of 2020’s top recordings, putting a fresh spin on moving meditations on family, personal history and black identity. We talked to him about that project, the process of remixing and the way he and Heron find links between many different kinds of music.
Catching Up With Yann Tiersen
“It was important to keep everything in context,” Tiersen said in a phone interview with Aquarium Drunkard. “It was really important for me to have [the songs] back and to have them…in the environment they belong.” This sentiment lays at the heart of the sessions for Portrait. How, at 25 years on, can you create a grand unified theory of your body of work? In Tiersen’s case it involved revisiting a wide variety of songs, reinterpreting them alongside new material, in order to create just what the title implies: a portrait.
Destroyer :: The AD Interview
As the release of the new Destroyer album approaches, Dan Bejar spoke to us about recording in isolation, the principal role of John Collins, songwriting inspirations, the end of the world, and the influence of futurism on Destroyer’s thirteenth album…
Shopping :: The Aquarium Drunkard Interview
For their latest, All Or Nothing, Shopping worked with producer Nick Sylvester to amp up the hedonism and beef up their often skeletal songs. In this interview we talked about the band’s new sleeker, synth-augmented sound, the balance of individual autonomy and group voice and why nobody in Shopping wants to be compared to your standard “starter-pack” of post-punk bands.
Swans :: Leaving Meaning
Michael Gira lived a thousand lives before Swans. He grew up in Los Angeles during the 1960s with absent parents. He was constantly snagged by the cops for misdemeanors, eventually […]
The Raincoats / 40th Anniversary :: The Aquarium Drunkard Interview
In May, post-punk legends The Raincoats announced a handful of shows across the UK and a performance at Le Guess Who? to celebrate the 40th anniversary of their seminal self-titled debut album. […]
Pan•American :: Catching Up With Mark Nelson
Though largely instrumental, “A Son” wrestles with the concept of home, the influence of the past and the frightening shifts in American culture and discourse. Nelson spoke to Aquarium Drunkard about his new album, the music and events that shaped it and the challenges of removing clutter from already serene and uncrowded sounds.
Jaimie Branch :: The Aquarium Drunkard Interview
Jaimie Branch has been playing the trumpet since the age of nine, working the possibilities of her instrument to recreate the music that lives in her head. Her latest album Fly Or Die II: Bird Dogs of Paradise delivers challenge and experiment in the context of irresistible swing …
Tindersticks :: The Aquarium Drunkard Interview
Catching up with AD, Stuart Staples shed some light on the process behind this new record, the importance of looking forward, why he doesn’t like his music in TV shows, the music he comes from, and more …
Devendra Banhart :: The Aquarium Drunkard Interview
On Devendra Banhart’s Ma, the singer/songwriter settles into an easy stroll, singing in English, Portuguese, and Spanish, referencing Carole King and Haruomi Hosono, and focusing on maternal love and beauty. “I still turn to art to make a very lonely situation suddenly much more manageable and agreeable or a very beautiful situation even more ecstatic, even more beautiful.”
Erik Davis on High Weirdness: Drugs, Esoterica, and Visionary Experience in the Seventies
High Weirdness is author Erik Davis’ most heroic effort yet: a more than 400-page immersion into the lives of Terence McKenna, Philip K. Dick, and Robert Anton Wilson, figureheads of American weirdness. With these three serving as a psychic trinity to orbit, Davis is free to address the shifts in consciousness that occurred on the American West Coast in the 1970s: “I’m interested in the drift of the counterculture.”