Mondays at the Enfield Tennis Academy offers up four sidelong pieces recorded live in Los Angeles over the past few years. Here, we get to eavesdrop on Parker, bassist Anna Buttterss, drummer Jay Bellerose and saxophonist Josh Johnson in full freedom flight. It’s an uncommonly intimate live recording — the players seem to be extremely at ease in this small club setting.

Nicola Alesini & Pier Luigi Andreoni’s 1996 ‘ambient-word record’ Marco Polo. Vine-like, lush and minimal, layered and discreet, with assists from Japan’s David Sylvian (vocals), Pierrot Lunaire’s Arturo Stalteri (bouzouki, harmonium), Roger Eno (keyboards, percussion, vocals), David Torn (guitar), and Harold Budd (percussion). Fourth world, indeed.

The Madrid-based Munster Records and its sister label Vampisoul have become house favorites over the last few years. The latter released one of our favorite reissues of the year in Cartao Postal, the 1971 MPB masterclass from Brazilian singer Evinha, and Munster Records is keeping that momentum strong with Joropop: Psych Pop & Folk in Venezuela, 1968-1976, a compilation that hasn’t strayed far from the speakers since its summer release.

Between 1978 and 1982 Sun Ra parked his roving musical spacecraft at New York’s Variety Arts Studios for a series of rigorous and inspired marathon sessions between frequent gigs in the city. On the heels of their stellar Lanquidity reissue, Strut continues their deep dive into this phase of Ra’s career with the twin 1979 masterpieces On Jupiter and Sleeping Beauty, offering a fresh glimpse at some of the most revered and beautifully spacious music the Arkestra ever cut.

On his first proper offering since 2022’s career highlight In These Times, jazz drummer and composer Makaya McCraven compiles a set of four new EPs into one for Off the Record. Hence the package’s namesake, each set of songs takes the organic improvisation from various previous live recordings. There’s an aural alchemy in McCraven’s post-production wizardry, the fervent compositions feeling like fresh studio iterations as much as previous live experiences culled from the archives; each set uniquely featuring a different live lineup with plenty of the musician’s collaborators and International Anthem labelmates.

On their third album, the trio of Oren Ambarchi, Johan Berthling and Andreas Werliin continue to condense and refine their approach, with the rhythms as mesmeric, the riffs as repetitive and the tones as mysterious as ever. But Ghosted III also breaks up the pattern, with more songs, shorter tracks and delicate shifts in approach. Minimal jazz, avant-rock, experimental groove, modal funk — whatever you want to call it, it’s mutating before our very ears, and growing stranger and more powerful with every installment.

Shrunken Elvis—the Nashville based trio of Spencer Cullum, Sean Thompson, and Rich Ruth—ignite a mind-meld of pedal steel, synths, and guitars on their self-titled debut, a slyly adventurous and immersive album that fuses languid soundscapes and kosmische vistas with elements of krautrock, spiritual jazz, and ambient & electronic music. Embracing touchstones such as Harmonia, Alice Coltrane, Pat Metheny, and Ashra, to name a few, the trio embark on sonic excursions that move through pastoral, tropical, and celestial realms.

Not sure how many eight-string bass / pipe organ / drums trios there are out there, but I’m going to go ahead and declare the Brooklyn-based Animal, Surrender! as the very best of them all. On their second LP, A Boot For Every Bane, bassist Peter Kerlin (Sunwatchers, Solar Motel Band), organist Curt Sydnor (Greg Saunier, Yonatan Gat) and drummer Rob Smith (Gray/Smith, Rhyton, Pigeons) make this unusual configuration sound as natural as can be.