Catching Up With Adrian Sherwood

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While collaboration has been a hallmark of Adrian Sherwood’s storied career, he is currently stepping out on his own with a full-length The Collapse of Everything and an EP The Grand Designer, his first solo efforts in 13 years. We recently connected with him to discuss this new work, his ever-evolving set of studio tools, his history in music and his lifelong commitment to learn and grow . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PDT, Channel 35)

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Tropical orientation. Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays. No static at all.

34.1090° N, 118.2334° W . . .

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The Lagniappe Sessions :: Silver Synthetic

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Tracked in New Orleans at Bruisey Peets’ Lake Vista compound on a Tascam 388, for their debut Lagniappe Session Silver Synthetic add their steady brand of choogle to Coney Island Baby era Lou Reed, some late '70s Chris Spedding and, naturally, give a nod to the mount Rushmore of the genre via JJ Cale's "Wish I Had Not Said That." Hit with a near city wide black out while recording, the band packed their car full of gear and went looking for electricity. The lights were on at Funky Nola LLC, where they finished out the tunes . . .

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All One Song :: Ilyas Ahmed on “Arc”

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Welcome back to All One Song: A Neil Young Podcast. We’re spending the summer talking to some great musicians and writers about their one favorite Neil Young song. Or at least one of their favorite songs. Here this week to examine the mysteries and magic of Arc is Ilyas Ahmed. The Portland, OR-based musician has been making consistently fascinating music for well over two decades now, whether all on his own or in close collaboration with fellow travelers like Grouper, Jefre Cantu-Ledesma, Golden Retriever, Dania Shihab and many more. He also serves as guitarist in Grails, an . . .

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Ryan Davis :: The Aquarium Drunkard Interview

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We caught up with Davis in the run-up to the release of his new LP New Threats from the Soul to discuss his first band State Champion, the different struggles he faced in making the two albums, the comedy in his songwriting, and more . . .

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Fruit Bats’ Spelled in Bones at 20

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Twenty years ago this month, Chicago songwriter and multi-instrumentalist Eric D. Johnson dropped his third album under his Fruit Bats moniker. Spelled in Bones took the charming indie folk melodies and landscape painting lyrics of his earlier work and spun them into a swirling, hook-laden power pop masterpiece. The album, with its sepia-tinged memories of youth and lost love and its apprehensions of fate and the future, found Johnson staring adulthood in the face. Two decades on and it has lost none of its punch . . .

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Dieter Schütz :: Voyage / Inventions

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Two reissued albums from Dieter Schütz, an electronic musician who died young, show an eccentric artist turning the future sounds and computer worlds of industrialized Western Germany to his own eccentric devices. Full of heart yet proudly artificial, tropically tinged, loosely lively and factory made, Schütz’s music offers a point of entry into obscure and overlooked corners of the Berlin School and krautrock scenes . . .

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Jimmy Rowles Trio :: Rare-But Well Done (1954)

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At a time when the musical acrobatics of hard-bop jazz were in full swing on the East Coast, Rowles showed little interest in the dazzling technical feats or subversion of form that many of his contemporaries were partaking in. Instead, the unfettered Rowles chose to color within the lines, forming elegant arrangements that drift along like blue smoke curling around an after-hours lounge. On his first solo release, Rare, But Well Done (1954), Rowles’ approach is warm and classy, containing the understated sophistication of a well-tailored black suit: no loud colors, garish patterns, or ostentatious branding — just . . .

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Burning Spear :: Marcus Garvey

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Of all the reggae cornerstones hitting their 50th anniversary this year, you’d be hard pressed to find another that hit with the same gale force of Burning Spear’s Marcus Garvey. Part reggae master class, part history lesson, Marcus Garvey introduced Winston Rodney’s impassioned wail to the world, establishing Burning Spear as one of reggae’s foremost emissaries and educators. Simply put, this is one of the heaviest, deepest roots sets ever laid down . . .

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Floating Action :: The Aquarium Drunkard Interview

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Over the last 20 years, Seth Kauffman has quietly released more than a dozen albums of languid, slightly exotic indie rock once clunkily described as “Appalachian Beck.” He plays and sings every note tracked in his basement studio with a DIY touch that renders the hallmark Floating Action sound characterized by slightly-off-kilter groove and woozy warmth. With a new LP dropping next month, we caught up with Kauffman at home in North Carolina to discuss all things Floating Action . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PDT, Channel 35)

SIRIUSPosted on

Outré California. Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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Tom Carter and Pat Murano :: Songs of Eliphas Levi Zahed

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Charalambides guitarist Tom Carter and No-Neck Blues Band synthesist Pat Murano have been collaborating for over a decade, Each of their albums tend to find the duo exploring the liminal spaces of spiritual esoterica. Their latest collaboration is devoted to the philosophy of nineteenth-century French occultist Eliphas Levi, who influenced every seeker from Madame Blavatsky to Aleister Crowley and practically invented the modern language of ritual magic. Carter and Murano channel Levi's thought into a searing, beautiful work of psychedelic dissonance . . .

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All One Song :: Steve Shelley (Sonic Youth) on “Vampire Blues”

All One Song Neil Young PodcastPosted on

Welcome back to ⁠All One Song⁠, A Neil Young Podcast presented by Aquarium Drunkard. We’re spending the summer talking to a few of our favorite artists and writers about their favorite Neil Young song. This week, we’ve got someone very special: Steve Shelley of Sonic Youth. Steve spent about 25 years behind the drum kit for Sonic Youth as the band radically redefined and reimagined rock and roll. He’s easily one of the greatest drummers of the past four decades, as heard on such classics as Sister, Daydream Nation, Washing Machine, Murray Street and beyond. His style . . .

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Yesternow: Editor’s Note Volume Three

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Volume three of Yesternow. The comments are open. Who are you? Where are you? How are you? Justin runs down some favorites of late including thoughts on the late Anthony Bourdain, Adrian Sherwood's 1997 dub remix Echo Dek, Cold War jazzists, distance running, LA area listening bars, and more . . .

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Sally Anne Morgan :: Second Circle The Horizon

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Sally Anne Morgan hasn’t missed with a solo album since her 2020 debut, Threads, and her fourth and latest, Second Circle The Horizon, only further solidifies her position as a purveyor of traditional music distilled through a modern, experimental lens . . .

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