Ce soir, lourd sur l'ambiance française. Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.
34.1090° N, 118.2334° W . . .
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All vinyl hour long slide to close out another weird year. Fireside GORP-jazz, new age, and beyond. 1969-2022 . . .
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Meditative, yet engaging, Chiaroscuro plays as more of a continuous statement piece than as a collection of individual songs. Widescreen and cinematic, Henriksen's vocals float intermittently across the album's 42 minute run-time amidst a cascade of hand drums, ambient trumpet (reminiscent of Jon Hassell), and sparse sound design . . .
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The most beautiful sound next to silence comes to NYC. This “all-star night” of ECM-related performers is a delight, with some unique performances and collabs. Manfred Eicher's esteemed label had been around since the late 1960s, but Keith Jarrett's blockbuster surprise, The Koln Concert, brought ECM closer to the mainstream in 1975. Jarrett wasn't there for this evening's celebration, but the All-Stars shine bright without him . . .
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Welcome to the seventh installment of First & Last, a series of mixes providing a glimpse into the world of Japanese private press, or 自主盤, pronounced “jishuban”, which loosely translates to “independent board . . .
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Go ahead and dip heavily into that Charles Mingus eggnog. It’s the holidays, you’ll need it. Tonight, suit up, it’s Aquarium Drunkard’s annual seasonal spectacular . . .
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Radio Free Aquarium Drunkard, every third Sunday on dublab. Up first on our four-hour broadcast, The New Happy Gathering Holiday Party: An hour of samba, lounge, jazz, funk, soul & abstract music. Then Range and Basin, an hour of mostly instrumental tunes selected by Jason P. Woodbury. A "loner folk” excursion from Tyler Wilcox’s Doom and Gloom from the Tomb. To close the show out, Christmas Jambree: A Vintage Jamaican Yuletide Mixtape Selected by Dev Sherlock. Tune in Sunday, December 18 from 4—8 PM Pacific on dublab . . .
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All roots episode, fireside. Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.
34.1090° N, 118.2334° W . . .
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There are two ways to evaluate Less Than Zero: a standalone film that functions on its own cinematic merits, or the adaptation of Bret Easton Ellis's novel. Like most pieces of media that live in various forms, the appreciation or dissatisfaction largely stems from which one was encountered first, and the personal sentimentality placed upon that experience. But there's a third way to approach Less Than Zero, and that is as a holiday film . . .
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Looking back to look ahead. It’s our Year In Review 2022. As always, our list is unranked and unruly. Let it blurb . . .
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Anchored by an incendiary score by Dennis Bovell, 1980's Babylon is an essential watch for those interested in the diasporic tendrils of Jamaican roots reggae as witnessed in the UK during the late '70s and early '80s. Come for the sound system, stay for the story . . .
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Richard Dawson of Newcastle Upon Tyne. This is how the songwriter credits himself on the cover of his new record The Ruby Cord—the third part of a possible trilogy (beginning with medieval Peasant, and modern times in 2020) which finds him delving into the different timelines of communities in England. Alex Riggs joins Dawson (and a cat named Trouble) to explore more . . .
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No static at all. Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.
34.1090° N, 118.2334° W . . .
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The whole of Automne Six is an imaginative drift, one free of purpose and reveling in the logics avant-pop can follow. Each track offers an exercise in constrained lyricism, trusting intuitive intention yet sensitive and willing to submit to subtle movements. The beauty is in watching these two use those parameters to create an oddly attractive set of songs . . .
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The brilliantly colored and exquisitely crocheted hand talisman on the cover of Headdress beckons you in. The fingertips of the sunburned hand touch the waning crescent moon. It is a good reminder that Sunburned Hand of the Man knew how to sling that cosmic slop. Of all the free rock bands that emerged around the turn of the millennium, Sunburned were definitely the loosest and funkiest . . .
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