Category: Bob Dylan

Last year around Bob Dylan’s 80th birthday, we celebrated with a megamix of various renditions of “One Too Many Mornings.” Since there’s no such thing as too many “One Too Many Mornings,” here’s a sequel of sorts for Bob’s 81st — 24 different covers of the classic tune from a wide variety of artists, spanning the decades. Just as Bob never quite settled on a stock arrangement for this one, the interpretations here vary wildly, from gentle folk to raucous garage rock to soaring orchestral pop. Like the song says: “You’re right from your side and I’m right from mine …”

Lucky number 13. Welcome back to Pretty Good Stuff: Dylan historian James Adams’ semi-regular hour-long program diving deep into the depths of all things Dwarf Music. This episode is strictly comprised of performances from the last tour of songs from the latest album, Rough and Rowdy Ways.

Is it possible that the latest in Dylan’s Bootleg Series feels … a little slim? Here’s what we get with Springtime In New York: two discs of rehearsals and outtakes from the tail-end of the so-called “Gospel Era”; two discs of Infidels session outtakes; and one disc with a smattering of live performances and studio alternates from 1984 and 1985. It clocks in at well over four hours, but it isn’t quite the immersive deep dive into this Dylan era that fanatics have been dreaming of for many years.

An hour’s worth of Bob Dylan’s “One Too Many Mornings” — is this too many “One Too Many Mornings”? Give it a try. These 14 different versions, stretching from the original recording released in early 1964 to a live tape from 1995, illustrate Dylan as an artist in constant motion.

Bob Dylan turns 80 years young this month … so let’s get the celebration started with something a little on the bizarre side. This mix gathers a selection of vintage Dylan covers with lyrics translated into Greek, Italian, French, Dutch, Spanish and more. Ranging from the mid-1960s to late 1970s, it’s a sweet (if occasionally disorienting) listen, as these singers attempt to force Bob into new linguistic zones.

I’m on my fourth listen, sitting on my porch, sipping Heaven’s Door Straight Rye. I have a house rule that while you’re drinking it, you can only talk about Bob. But no one ever visits, and now they can’t even visit if they wanted to …