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Dog Days of Aquarium Drunkard

Aquarium Drunkard PresentsPosted on

We were curious what people's summers sounded like. So we asked a clutch of the regular contributors to tell us what they were listening to beat the heat and why. What we heard back made for a weird, wonderful soundtrack for this far stretch of the earth’s revolution around the sun. Here's a slate of recommendations to power you through these dog days of summer . . .

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David Michael Moore :: Lunch Is Having Lunch

David Michael MoorePosted on

Dubbed a "true American wildass" by his label, septuagenarian woodworker, instrument maker, and composer David Michael Moore lands somewhere between a Southern Moondog, Vince Guaraldi in the Delta, or even JJ Cale on his beatific Lunch Is Having Lunch . . .

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Anthony Pirog :: The Aquarium Drunkard Interview

Anthony Pirog The AD InterviewPosted on

Always fearless in his pursuit of sonic fusion, the wizardry of Anthony Pirog continues to invade new melodic landscapes. Hard noise. Ambient. Jazz. Punk. Experimental noise funk. He joins us to discuss collaborations with members of Fugazi, Nels Cline, James Brandon Lewis, Jerry Gilgore, and more . . .

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Punk Jazz :: John Zorn’s Spy vs Spy at 35

John ZornPosted on

Sometime in the mid-1980s, John Zorn was hanging out in New York City’s East Village when he made a career-altering choice: to take in a hardcore show at CBGBs. The experience profoundly shaped his next album, the ultra fast, ultra brief Spy vs Spy: The Music of Ornette Coleman . . .

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West of Roan :: The Aquarium Drunkard Interview

The AD Interview West of RoanPosted on

West of Roan is a duo of Annie Schermer and Channing Showalter, two visual and performing artists, who share a love of old folk and myth, close harmonies, shifting drone and puppets. Though grounded in old, ancestral traditions—Celtic and Norse mythology, unadorned singing and the plangent tones of fiddle—the pair have resolutely avoided folk purism. “We’re pretty careful about performing traditional music,” Showalter explains.“ We think it through and we think about what we want to say about the song that we’re singing that’s not ours, and if we don’t feel like we really . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PDT, Channel 35)

SIRIUSPosted on

Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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The Glass Bead Band

The Glass Bead BandPosted on

It’s just guitar, drums and vocals for the duration of the Glass Bead Band’s self-titled debut LP, but that’s more than enough — this is killer stuff, perhaps not unlike something you might’ve heard on Touch & Go back in the mid-90s. Matt Stadelmann’s declamatory vocals and elemental (but still highly melodic) guitar, Marshall Yarbrough’s rock-solid rhythms, hypnotic song forms that occasionally build into explosive moments . . .

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Transmissions :: The Lemon Twigs

Podcast The Lemon TwigsPosted on

The Lemon Twigs on Todd Rundgren, Sean Lennon, Jonathan Rado of Foxygen and their latest album, A Dream Is All We Know . . .

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Ethan Iverson :: The Aquarium Drunkard Interview

Ethan Iverson The AD InterviewPosted on

Ethan Iverson is a rare bird, a jazz musician who's just as adept at writing about the form as he is playing it. As a member of The Bad Plus, the recorded a series of adventurous albums with the trio between 2001 and 2016, incorporating covers of artists like Radiohead, Aphex Twin, and Pink Floyd along the way. In 2017, he departed The Bad Plus, turning his focus to albums like his new Blue Note outing, Technically Acceptable . . .

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Nap Eyes :: Passageway

Nap EyesPosted on

Where do Nintendo 64 games, Russian poets, French filmmaker Chris Marker, and references to Goo Goo Dolls megahits collide? In the lyrics of The Neon Gate, the forthcoming album from Nova Scotian quartet Nap Eyes. Due out October 18th from the ever-reliable Paradise of Bachelors, the new album finds Nap Eyes expanding and taking new form . . .

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Drew Gardner :: Cygnus A

Drew GardnerPosted on

Drew Gardner steps out on his own with Cygnus A, leaving behind, at least for the moment, his longstanding partnership with Jesse Shepherd in Elkhorn, his free jazz-y improvisations with Flowers in Space (a trio with Andy Cush and Ryan Jewel) and his regular hippie psych collaborations with Jeffrey Alexander and the Heavy Lidders. No, he’s all by himself here, contemplating the vastness of space, one man in the cosmos staring upwards in wonder . . .

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Fran :: Television

FranPosted on

Fran—the musical nom de plume of Chicago’s Maria Jacobson—returns with her first new piece of music since her hushed masterstroke, Leaving, one of our favorite albums from last year. On her new song “Television,” Jacobson drives a lilting, piano-led country ballad that conveys a distant, tilted domestic tranquility with a splash of barroom blues . . .

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Jim Glover :: No Need to Explain

Jim GloverPosted on

As we so often find with the relics of the 1960s, Jim Glover resurfaced in the eighties with a private press disc. Released under the one-off Fang Records, No Need to Explain finds the songwriter in true folky form with just a man, a set of strings, and his words at the microphone . . .

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Alex Izenberg & The Exiles

Alex IzenbergPosted on

Through numbly whispered vocals and mushy mellow vibes, Alex Izenberg & the Exiles attempt to distill from 1970s radio rock the elixir of heartbreak and its philosophical innards, mindfully administering the pharmakon of despair here and there: inexorable solitude and oneiric unveilings of being; emotional parallaxes of all sorts; love as a function of time and time as a function of love; and the good old fear of death . . .

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Thurston Moore & Eva Moore From The Jack Kerouac School of Disembodied Poetics at Naropa University :: A Conversation

The AD Interview Thurston MoorePosted on

On the occasion of his 66th birthday, Thurston Moore and his wife and creative partner Eva Moore drop in from the Jack Kerouac School of Disembodied Poetics at Naropa University to discuss collaboration and that time Henry Rollins grew out his hair . . .

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Posted on The AD Interview Thurston Moore