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Calling From Elsewhere :: Hayden Pedigo on The Happiest Times I Ever Ignored

Hayden Pedigo The AD InterviewPosted on

With The Happiest Times I Ever Ignored, Texas guitarist Hayden Pedigo wordlessly shares stories of fate and sustaining hope. A meticulous and detailed player, he's spent the last decade refining and shaping his sound, pushing for ultimate clarity of expression. But just give that cover painting by Jonathan Phillips a good look: Pedigo is just as interested in stoking creative impulses that align him with his comedic heroes—here's a guitarist who borrows from Harmony Korine nearly as much as John Fahey and names albums after quotes by National Lampoon co-founder Doug Kenney. Pedigo joins us to . . .

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Celtic Guru :: Van Morrison In The 80s | No Guru, No Method, No Teacher

Celtic Guru Van MorrisonPosted on

Part 6 of our Celtic Guru series. Perhaps ‘No Guru’ is a veiled admission that Van’s vehicle of theosophy, literature, and astral tendency to suspend himself and audiences in a frozen moment of space-time simply could not deliver on the spiritual awakening sought after for so many years. Having come up short, why not hunker down and make use of the mystic foundations he had built up over the decades in search of these answers in the minutiae of daily life . . .

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Dave Schools :: The Aquarium Drunkard Interview

Dave Schools The AD Interview Widespread PanicPosted on

Now in their 37th year as a working outfit, we connected with founding member and bassist Dave Schools from his home in northern California to discuss the evolution of Widespread Panic, the early influence of Athens, GA, collaborations, their DIY approach, touring, mentors and beyond . . .

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Neil Young :: Eurotour 2003

Neil YoungPosted on

Hallelujah, Neil Young is back on the road after a long pandemic delay — perhaps the man’s longest break from touring … ever? On his west coast solo tour, Neil is going (relatively) deep into his back catalog, playing some rarely heard numbers from the days that used to be . . .

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Som Imaginario :: Live at Museu de Arte Moderna

Som ImaginarioPosted on

A "Nature Day" concert at a modern art museum in Brasília, 1976. Enter Som Imaginario, the Tropicalia legends known for their own stellar album run in the early seventies (in addition to backing Milton Nascimento). With their wailing psychedelic fuzz guitar and blistering jazz rhythms, recently unearthed relic Banda Da Capital is a fascinating glimpse into the group's live prowess. At times, eerily reminiscent of the original Soft Machine line-up in the best possible way . . .

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PJ Harvey :: I Inside the Old Year Dying

PJ HarveyPosted on

PJ Harvey makes new sonic and literary worlds each time the tape recorder is on. Her 10th album, I Inside the Old Year Dying is a 12-song cycle sets Harvey’s 2022 verse novel Orlam to music, folding natural sounds and Dorset dialect into a set of eerie post-industrial folk songs . . .

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Catching Up With M. Ward

M. Ward The AD InterviewPosted on

"I'm not a scientist, so I don't exactly understand how radio waves are sent through the air. But as a kid, it was magic." M. Ward joins us to discuss Supernatural Thing, Elvis, his collaborative process, the influence of Howe Gelb of Giant Sand, and more . . .

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The Budos Band :: Frontier’s Edge

The Budos BandPosted on

The Budos Band swaggers into the fray in Frontier’s Edge with a brilliant squall of brass and a sinuous rhythm section, splitting the difference between classic 1970s blaxploitation and a serpentine ethio-jazz groove. The Brooklyn-born large ensemble—which includes a full horn line and multiple percussionists in addition to the standard rock instruments—made six albums and two EPs on soul-funk revivalist Daptone Records. Now, they’re continuing the saga on their own Diamond West label . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PDT, Channel 35)

SIRIUSPosted on

Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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The Clientele :: The Aquarium Drunkard Interview

The AD Interview The ClientelePosted on

The Clientele has been constructing gorgeous, buoyant psychedelic pop for more than three decades now, distilling the languid beauty of a late summer afternoon into whispery gems that hide surprising complications.Yet there has always been more to the Clientele’s art than wistful elegance, and never more so than I Am Not There Anymore, the band’s ninth full-length . . .

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Posted on The AD Interview The Clientele

Transmissions :: Jared Swilley (Black Lips)

Black Lips PodcastPosted on

While Black Lips have matured and grown since forming in 1999, the Atlanta-based garage band haven’t "settled down." Case in point is Apocalypse Love, the group’s 10th album, released last year on Fire Records. Incorporating gospel and country influences, it’s as strange and exciting as the band’s early work, but it also showcases a new depth to the band. Today on Transmissions, Black Lip Jared Swilley joins us to discuss his pentecostal roots, his minister father coming out of the closet, the importance of the Bomp Records catalog, his mentor The Mighty Hannibal, and much . . .

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Stewart Copeland :: The Aquarium Drunkard Interview

Stewart Copeland The AD InterviewPosted on

Stewart Copeland speaks with Chris Schlarb about the derangement of The Police, film composing, and why he can't wait to get done with the interview . . .

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Art Time :: Richard Swift Remembered

Richard SwiftPosted on

On the fifth anniversary of Richard Swift's passing, those who worked closest with him speak to what made his process so magical. Includes remembrances from Jonathan Rado (Foxygen), Damien Jurado, Jessie Baylin, Luke Lalonde (Born Ruffians), Greta Morgan (Springtime Carnivore), Laura Burhenn (Mynabirds), and Kevin Morby . . .

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Danny Paul Grody :: Arc Of Day

Danny Paul GrodyPosted on

Just a perfect Day. The six gorgeous instrumentals that make up Danny Paul Grody’s quietly awesome new LP take us from sunrise to sunset, their steadily unfolding grooves somehow acknowledging the inevitable passage of time and stopping it entirely. Grody isn’t quite as prolific as some of his fingerpicking peers, but you’d be hard-pressed to find a single misplaced note in his catalog . . .

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Bobby Lee :: Endless Skyways

Bobby LeePosted on

Endless Skyways finds Lee having finally reached the horizon he’d been headed toward, only to take a flying leap beyond it. At just nine tracks, the album wastes no time. The band achieves liftoff straight away with “Reds for a Blue Planet,” powered by Lee’s patented homebrew of twang and choogle. Just like that, we’re lost in the ozone and our heads are feeling a little lighter . . .

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Posted on Bobby Lee