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Bobby Lee :: Endless Skyways

Bobby LeePosted on

Endless Skyways finds Lee having finally reached the horizon he’d been headed toward, only to take a flying leap beyond it. At just nine tracks, the album wastes no time. The band achieves liftoff straight away with “Reds for a Blue Planet,” powered by Lee’s patented homebrew of twang and choogle. Just like that, we’re lost in the ozone and our heads are feeling a little lighter . . .

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Doug Wieselman :: WA-Zoh

Doug WieselmanPosted on

Multireedist Doug Wieselman is known for his work with the vanguard of pop, jazz, and avant-garde, but with his new album WA-Zoh, released by Shahzad Ismaily's figureight records, he turns his attention to electronically manipulated birdsong . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PDT, Channel 35)

SIRIUSPosted on

Photo Summerlude. Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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Posted on SIRIUS

The Skygreen Leopards :: Family Crimes

Skygreen LeopardsPosted on

Over the course of its thirteen year existence, Skygreen Leopards would further evolve, hone and refine its bent take on classic west coast psychedelia. As an album, Family Crimes not only stands as the nexus of this evolution, but is home to some of the group's best material.

Summer is here and so is its music . . .

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Transmissions :: David John Morris (Red River Dialect)

David John Morris PodcastPosted on

David John Morris of Red River Dialect joins us to discuss his 2021 album Monastic Love Songs, 2022’s Wyld Love Songs, his time in a Buddhist monastery, how it augmented his approach to music, his podcast listening habits, the consistent spiritual longing of the creative process and, truthfully, so much more . . .

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Posted on David John Morris Podcast

The Bonk :: Greater Than Or Equal To The Bonk

The BonkPosted on

Following on from their excellent 2017 debut, The Bonk Seems To Be A Verb, the Dublin-based group led by Phil Christie continue to explore the boundless potential of experimentation and instinct with the equally cavalier titled Greater Than Or Equal To The Bonk . . .

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Posted on The Bonk

Youth Lagoon :: The Aquarium Drunkard Interview

The AD Interview Youth LagoonPosted on

With Heaven Is a Junkyard, Trevor Powers returns to the Youth Lagoon banner. Crafted with producer Rodaidh McDonald (The xx, Adele, Gil Scott-Heron) after period of medical strife that robbed Powers of his ability to sing his signature lilt—thankfully only temporarily—the album finds Powers at his most generous and adventurous . . .

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Posted on The AD Interview Youth Lagoon

Protomartyr :: Formal Growth In The Desert

ProtomartyrPosted on

This is Protomartyr’s sixth album, arriving out of a maelstrom of uncertainty and loss. The sound has turned slower, weightier and more violent. Where the band began in a spiked Fall-ish spatter, its songs now move with a ponderous nearly metallic heft . . .

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Jimmy Whispers :: The Search For God

Jimmy WhispersPosted on

The Search For God is best served on close listen, not succumbing to its musical simplicity and charm, but sitting with the simpler and harder-to-tackle questions it poses. Whispers doesn’t bathe much in metaphor, doesn’t water it down with lo-fi glam or frills. Instead, by trimming some excess and focusing on the song craft, Whispers takes a massive step forward. Like those who are subject to his words, we are left wanting more . . .

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Videodrome :: The Seventh Continent (1989)

VideodromePosted on

The Seventh Continent is classified as a family drama, but it’s undoubtedly a horror film, perhaps one of the most horrifying films ever made. It’s nihilism as an aesthetic, misanthropy as a philosophy, and construction as deconstruction . . .

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Posted on Videodrome

Joanna Sternberg :: I’ve Got Me

Joanna SternbergPosted on

I’ve Got Me is a collection of folk songs in every sense, from Randy Newman-inspired ditties, to dew-eyed ballads, to timeless finger-picked tunes of self-discovery, each with a wonderfully distinct point of view . . .

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First & Last: Japanese Private Press, Vol. 9

First & Last MixtapesPosted on

Welcome to the ninth installment of First & Last, a series of mixes providing a glimpse into the world of Japanese private press, or 自主盤, pronounced “jishuban”, which loosely translates to “independent board . . .

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Posted on First & Last Mixtapes

Douglas McCombs (Brokeback/The Sea and Cake/Black Duck) :: The Aquarium Drunkard Interview

Douglas McCombs The AD InterviewPosted on

Aquarium Drunkard speaks with Douglas McCombs about the formation of Black Duck, the approach they took for their album, the motivation behind his 2022 solo release VMAK . . .

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Posted on Douglas McCombs The AD Interview

The Aquarium Drunkard Show: SIRIUS/XMU (7pm PDT, Channel 35)

SIRIUSPosted on

Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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Posted on SIRIUS

Bar Italia :: Tracey Denim

Bar ItaliaPosted on

Bar Italia occupies a shifting, shadowy ground between sunny 1960s euro-pop and post-punk, leaning one way or another depending on who is singing. Yet while each member has a distinctive timbre and personality, the song circles nonchalantly around a common theme: what it’s like to watch youth slipping away . . .

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Posted on Bar Italia