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The Lagniappe Sessions :: Gabriel da Rosa

Shaping up to be one of our most played albums this spring, Gabriel da Rosa made his full-length debut in February with É O Que A Casa Oferece, courtesy of Stones Throw Records. Sounding like a lost seventies samba album, from the likes of Paulinho da Viola or Martinho da Vila, da Rosa makes his Lagniappe debut via a pair of Brazilian staples: Geraldo Pereira and Tom Jobim with Vinícius de Moraes . . .

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Don’t This Look Like the Dark :: On Magnolia Electric Co.’s Sojourner

A decade ago, alone in his Indianapolis apartment, Jason Molina died, his body no longer able to keep up with what it kept calling for. Seven years prior to his death he was a man on fire. His creative process was fueled by a recognition of darkness, resulting in incredibly confessional and stark albums . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PDT, Channel 35)

Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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Fridge :: Happiness (Anniversary Edition)

Fridge’s masterpiece Happiness dropped in September 2001. And like Tortoise’s American flag-stamped Standards from earlier that year, it was one of the last great missives from post-rock’s salad days. Revisiting it at two decades’ remove, one still hears the work of ingenious and relentless tinkerers . . .

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Transmissions :: Jana Horn

This week on Transmissions, we’re joined by writer and musician Jana Horn. Her new album The Window is the Dream is out now on No Quarter Records. Writing about it, Andy French at Raven Sings The Blues calls it, a “delicate exfoliation of dream and reality.” When she’s not penning oracular folk rock songs, Horn teaches fiction at the University of Virginia and writes short fiction. She joins us to discuss it all . . .

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Kahil El’Zabar: The Aquarium Drunkard Interview

Kahil El'Zabar has worked as a bandleader and collaborated with Pharaoh Sanders, Archie Shepp, and Dizzy Gillespie. With his latest album, Spirit Gatherer: A Tribute to Don Cherry, El’Zabar is once again joined by the Ethnic Heritage Ensemble, with vocalist Dwight Trible of the Pan-Afrikan Peoples Arkestra, and multi-instrumentalist and son of the album’s namesake, David Ornette Cherry. Celebrating jazz luminary Don Cherry, the album is beautiful in its spatial depth, brevity, and intimacy, three attributes clearly set upon with masterful intention . . .

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The Velvet Underground :: Fully Re-Loaded

10 tunes were chosen for Loaded, each one a perfect pop miniature. The album is famous for its unparalleled one-two punch of "Sweet Jane" and "Rock & Roll," of course. But that's just the beginning of its delights. There's also the twilit balladry of "I Found A Reason," the choogling groove of "Train Round the Bend," the garage rock abandon of "Head Held High," and the slow, sad sway of "Oh! Sweet Nuthin'." Slyest of all is the groovy opener, "Who Loves the Sun," which wouldn't have sounded out of place next to the Archies on Lou . . .

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The Upsetter Director Adam Bhala Lough on Lee “Scratch” Perry’s Supernatural Will

"Without a doubt, there was something mystical and magical going on with Lee Perry." Co-director Adam Bhala Lough joins us to discuss his film, The Upsetter: The Life & Music of "Lee" Scratch Perry and what he learned from his time with the late dub pioneer and artist . . .

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Mystic 100s :: On A Micro Diet

If a friend were to inform me that a psychedelic band had just held up a convenience store, seized a Fed Ex truck, and were now currently at large and on the lam, my first guess would be that the perpetrators were the members of Mystic 100s. Like their hardcore punk forebears, the group’s music often sounds like the work of unpredictable and dangerous people . . .

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Os Tincoãs :: Canto Coral Afrobrasileiro

In the 1970s, Os Tincoãs released three of the most revered and unique records of Brazilian music, which crystallized translucid vocal melodies on top of the polyrhythmic percussion patterns of Afro-Brazilian ritualistic music. Now, more than forty years after their last album, Sanzala Cultural has just released Canto Coral Afrobrasileiro, a collection of the trio’s recordings from 1982/83 . . .

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Videodrome :: Over The Edge (1979)

The violence and bleakness at the end of Over The Edge sets it apart from other like-minded coming-of-age/juvenile delinquent films; it chooses to resolve itself as a cautionary tale for adults instead of a celebration of youth for teenagers . . .

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Catching Up With Sleaford Mods

Jason Williamson and Andrew Fearn join Aquarium Drunkard to discuss UK Grim, their latest collection of discontented electronic post punk anti-anthems. They share thoughts on working with Perry Farrell, online discourse, and their unlikely pop audience . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PDT, Channel 35)

Back from Australia, jet lag transmission. Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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Albert Ayler :: Europe 1966

Europe 1966 is a 4-LP set documenting four of Albert Ayler’s performances with his quintet that took place over a ten-day period in November 1966. The collection includes the band’s appearances in Berlin, Lörrach, Stockholm, and Paris, where the saxophonist and his group took part in a package tour called Newport In Europe, a George Wein-curated program that also included Sonny Rollins, Stan Getz, and Dave Brubeck. Ayler’s group on this tour consisted of his brother Donald Ayler on trumpet, Michel Samson on violin, William Folwell on double bass, and Beaver Harris on . . .

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Love Cry Want :: Love Cry Want

Recorded in Lafayette Park near the White House in 1972, Love Cry Want made the Nixon administration tremble and, the story goes, prompted the president’s Chief of Staff H.R. Haldeman to cut the band’s power source. So, why haven’t you heard this shamanic burst of fire music with killer grooves . . .

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