Posts

Okonski :: Magnolia

OkonskiPosted on

Via Asheville, NC, the pensive piano jazz stylings of Steve Okonski. File under nocturne. Released earlier this year, Magnolia's atmospheric impetus initially stemmed from a late night session in the winter of 2020 followed up by a second week of sessions the following summer. All improvised and recorded live to a Tascam 388, the trio's (pianist Okonski, double bassist Michael Isvara Montgomery and drummer Aaron Frazer) interplay feels both intuitive and effortless . . .

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Posted on Okonski

The Lagniappe Sessions :: Healing Potpourri

Healing Potpourri Lagniappe SessionsPosted on

Released last year, Healing Potpourri’s Paradise came across like an introspective deep dive, drawing upon all that inspired the band’s orchestral brew of infectious chamber pop. The recording project of Bay Area multi-instrumentalist Simi Sohota and collaborators, the group’s inaugural Lagniappe Session dives head first into these avant-pop sensibilities . . .

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Posted on Healing Potpourri Lagniappe Sessions

The Lagniappe Sessions :: Gabriel da Rosa

Gabriel da Rosa Lagniappe SessionsPosted on

Shaping up to be one of our most played albums this spring, Gabriel da Rosa made his full-length debut in February with É O Que A Casa Oferece, courtesy of Stones Throw Records. Sounding like a lost seventies samba album, from the likes of Paulinho da Viola or Martinho da Vila, da Rosa makes his Lagniappe debut via a pair of Brazilian staples: Geraldo Pereira and Tom Jobim with Vinícius de Moraes . . .

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Posted on Gabriel da Rosa Lagniappe Sessions

Don’t This Look Like the Dark :: On Magnolia Electric Co.’s Sojourner

Jason Molina Magnolia Electric Co. Songs: OhiaPosted on

A decade ago, alone in his Indianapolis apartment, Jason Molina died, his body no longer able to keep up with what it kept calling for. Seven years prior to his death he was a man on fire. His creative process was fueled by a recognition of darkness, resulting in incredibly confessional and stark albums . . .

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Posted on Jason Molina Magnolia Electric Co. Songs: Ohia

The Aquarium Drunkard Show: SIRIUS/XMU (7pm PDT, Channel 35)

SIRIUSPosted on

Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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Posted on SIRIUS

Fridge :: Happiness (Anniversary Edition)

FridgePosted on

Fridge’s masterpiece Happiness dropped in September 2001. And like Tortoise’s American flag-stamped Standards from earlier that year, it was one of the last great missives from post-rock’s salad days. Revisiting it at two decades’ remove, one still hears the work of ingenious and relentless tinkerers . . .

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Posted on Fridge

Transmissions :: Jana Horn

Jana Horn PodcastPosted on

This week on Transmissions, we’re joined by writer and musician Jana Horn. Her new album The Window is the Dream is out now on No Quarter Records. Writing about it, Andy French at Raven Sings The Blues calls it, a “delicate exfoliation of dream and reality.” When she’s not penning oracular folk rock songs, Horn teaches fiction at the University of Virginia and writes short fiction. She joins us to discuss it all . . .

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Posted on Jana Horn Podcast

Kahil El’Zabar: The Aquarium Drunkard Interview

Kahil El'Zabar The AD InterviewPosted on

Kahil El'Zabar has worked as a bandleader and collaborated with Pharaoh Sanders, Archie Shepp, and Dizzy Gillespie. With his latest album, Spirit Gatherer: A Tribute to Don Cherry, El’Zabar is once again joined by the Ethnic Heritage Ensemble, with vocalist Dwight Trible of the Pan-Afrikan Peoples Arkestra, and multi-instrumentalist and son of the album’s namesake, David Ornette Cherry. Celebrating jazz luminary Don Cherry, the album is beautiful in its spatial depth, brevity, and intimacy, three attributes clearly set upon with masterful intention . . .

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Posted on Kahil El'Zabar The AD Interview

The Velvet Underground :: Fully Re-Loaded

The Velvet UndergroundPosted on

10 tunes were chosen for Loaded, each one a perfect pop miniature. The album is famous for its unparalleled one-two punch of "Sweet Jane" and "Rock & Roll," of course. But that's just the beginning of its delights. There's also the twilit balladry of "I Found A Reason," the choogling groove of "Train Round the Bend," the garage rock abandon of "Head Held High," and the slow, sad sway of "Oh! Sweet Nuthin'." Slyest of all is the groovy opener, "Who Loves the Sun," which wouldn't have sounded out of place next to the Archies on Lou . . .

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Posted on The Velvet Underground

The Upsetter Director Adam Bhala Lough on Lee “Scratch” Perry’s Supernatural Will

Lee PerryPosted on

"Without a doubt, there was something mystical and magical going on with Lee Perry." Co-director Adam Bhala Lough joins us to discuss his film, The Upsetter: The Life & Music of "Lee" Scratch Perry and what he learned from his time with the late dub pioneer and artist . . .

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Posted on Lee Perry

Mystic 100s :: On A Micro Diet

Mystic 100sPosted on

If a friend were to inform me that a psychedelic band had just held up a convenience store, seized a Fed Ex truck, and were now currently at large and on the lam, my first guess would be that the perpetrators were the members of Mystic 100s. Like their hardcore punk forebears, the group’s music often sounds like the work of unpredictable and dangerous people . . .

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Posted on Mystic 100s

Os Tincoãs :: Canto Coral Afrobrasileiro

Os TincoãsPosted on

In the 1970s, Os Tincoãs released three of the most revered and unique records of Brazilian music, which crystallized translucid vocal melodies on top of the polyrhythmic percussion patterns of Afro-Brazilian ritualistic music. Now, more than forty years after their last album, Sanzala Cultural has just released Canto Coral Afrobrasileiro, a collection of the trio’s recordings from 1982/83 . . .

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Posted on Os Tincoãs

Videodrome :: Over The Edge (1979)

VideodromePosted on

The violence and bleakness at the end of Over The Edge sets it apart from other like-minded coming-of-age/juvenile delinquent films; it chooses to resolve itself as a cautionary tale for adults instead of a celebration of youth for teenagers . . .

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Posted on Videodrome

Catching Up With Sleaford Mods

Sleaford Mods The AD InterviewPosted on

Jason Williamson and Andrew Fearn join Aquarium Drunkard to discuss UK Grim, their latest collection of discontented electronic post punk anti-anthems. They share thoughts on working with Perry Farrell, online discourse, and their unlikely pop audience . . .

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Posted on Sleaford Mods The AD Interview

The Aquarium Drunkard Show: SIRIUS/XMU (7pm PDT, Channel 35)

SIRIUSPosted on

Back from Australia, jet lag transmission. Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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Posted on SIRIUS