(Sevens, a recurring feature on Aquarium Drunkard, pays tribute to the art of the individual song.)
I've become obsessed with segues and album structure over the years. I appreciate, probably to excessive levels, a record that puts all of its parts together in a way that shows the strength of even the album's weakest moments. Beginnings and endings, as with most things, are the toughest to nail, and it's with that in mind that Sharon . . .
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