For the better part of two decades Odetta established herself as a masterful interpreter in the traditions of folk, country, and blues. Bringing her own rhythmic charms to the early Dylan catalog, and delivering compelling, quietly earth-shattering takes on standards such as Bob Nolan’s “Cool Water,” she quickly rose to the top of the mountain. A voice, presence, and soul to be reckoned with.
But 1970 came for . . .
Only the good shit. Aquarium Drunkard is powered by its patrons. Keep the servers humming and help us continue doing it by pledging your support.
To continue reading, become a member or log in.
