Holger Czukay was a genius of rhythm of the highest possible order, on par with Fela Kuti, James Brown, Steve Reich, and pretty much anyone else to ever braid together a few pulses. The founding member of Can has long been celebrated for his bass playing, which can be as melodic as Paul McCartney's and as slow-mo sticky as Robbie Shakespeare’s, and for the experimentalist glee of his production on the German band's first ten album, lacing together Michael Karoli . . .
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