There are no links here to tracks from what I suppose is now deemed, Van Morrison: Live In Boston 1968.
The title is intentionally bland, purely informational. As outlined by
Ryan H. Walsh, writer of one of this year’s best books, Astral Weeks: A Secret History of 1968,
the whole thing is likely a copyright maneuver – some legal wrangling
to keep possession with its maker, fifty-years after its creation.
There’s some hope and/or speculation that maybe . . .
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