A folk singer, a dreamer, a soul. On his newly released sophomore album, Mil Coisas Invisíveis, São Paulo’s Tim Bernardes brings his diaristic existentialism to vibrant sonic life. Whether accompanied with just his guitar, or surrounded by handclap percussion, swelling string arrangements, and muted woodwinds, he stakes his claim as a graceful and earnest chanteur, joining the ranks of fellow countrymen Jorge Ben, Caetaneo Veloso, and Clube da Esquina . . .
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