São Paulo’s Tim Bernardes swept us off our feet earlier this month with his new album, Mil Coisas Invisíveis. Across fifteen tracks sung in beautiful, tender Portuguese, he mines love, loss, and change with equal splendor bringing his diaristic existentialism to vibrant sonic life. For his inaugural Lagniappe Session, Bernardes keeps the flame aglow, tackling one from fellow countryman Gilberto Gil’s 1971 self-titled album, the Dirty Projectors’ knotty, Tropicália-tinged art rock, and one of The Beatles’ most spiritually mystic moments.
A folk singer, a dreamer, a soul. On his newly released sophomore album, Mil Coisas Invisíveis, São Paulo’s Tim Bernardes brings his diaristic existentialism to vibrant sonic life. Whether accompanied with just his guitar, or surrounded by handclap percussion, swelling string arrangements, and muted woodwinds, he stakes his claim as a graceful and earnest chanteur, joining the ranks of fellow countrymen Jorge Ben, Caetaneo Veloso, and Clube da Esquina.
Digging into O Terno spurred a deep dive into the work of the São Paulo band’s jack-of-all-trades, Tim Bernardes, whose 2017 release, Recomeçar, shines exquisitely from head to toe. Bernardes’ voice is truly next level.