São Paulo’s Tim Bernardes swept us off our feet earlier this month with his new album, Mil Coisas Invisíveis. Across fifteen tracks sung in beautiful, tender Portuguese, he mines love, loss, and change with equal splendor bringing his diaristic existentialism to vibrant sonic life. For his inaugural Lagniappe Session, Bernardes keeps the flame aglow, tackling one from fellow countryman Gilberto Gil's 1971 self-titled album, the Dirty Projectors' knotty, Tropicália-tinged art rock, and one of The Beatles’ most spiritually mystic moments . . .
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