In The Spiritual Kingdom Of Love :: Robyn Hitchcock Dissects The Soft Boys’ Underwater Moonlight

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Forty-five years after it was first released, the Soft Boys’ Underwater Moonlight sounds better than ever. The glorious chime of Robyn Hitchcock and Kimberley Rew’s guitars, the buoyant rhythm section of drummer Morris Windsor and bassist Matthew Seligman, the interlocking vocal harmonies, Hitchcock’s surreal and bewitching lyrics … it all adds up to a bona fide masterpiece.

To dive deep into the stories behind the songs, we went straight to the source. Below, Robyn Hitchcock walks us through the album’s 10 tracks . . .

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Transmissions :: Yuka Honda

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This week on the show, the great Yuka Honda. She’s a New York musician. In the 1990s, she emerged from the fertile New York music underground with Cibo Matto alongside groups like the Beastie Boys, Sonic Youth, and Luscious Jackson. She’s collaborated with an extensive roster of musicians, including John Zorn,David Byrne, Yoko Ono, Sean Ono Lennon, and her husband, guitarist Nels Cline. Earlier this year, we taped the conversation you’re about to hear. Some of it ran as text in the Across the Horizon zine that was available at Big Ears Music Fest. In this . . .

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Aquarium Drunkard Presents: The Hard Quartet, Teragram Ballroom | May 3, 2025

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If you missed the gig downtown when the record dropped last fall, now is your shot. The Hard Quartet once again touch down in Los Angeles May 3rd at the Teragram Ballroom. We have five pairs of tickets saved for AD members. Click the link to land a pair . . .

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THiQ :: The New Cats

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With his solo Paint project, Pedrum Siadatian has been steadily inching out of the Allah Lahs’ gritty, fuzzy, sweetly disruptive garage aesthetic and into cleaner, synthier, electro-fired dance music. Now with the Montreal producer and Sheer Agony frontman Jackson Macintosh in tow, THiQ pushes further into electronic grooviness. Day-glo fantasies of synth and keyboard open up like a psychedelic curio cabinet, with tableaux after tableaux of anime flavored hyper-realities . . .

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Max Knouse :: Mint and Tobacco

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Chipmunk’d Away is Max Knouse’s third album. Known for his sessions and live shows with artists like Califone, Jolie Holland, Adan Jodorowsky, Psychic Temple, Simon Joyner, Alex Dupree, and others, Knouse has established himself as an essential factor in the West Coast indie pop underground, brandishing guitar chops that mirror the rawness of his voice; he treats his instrument like a divining rod of spiritual tension and joyful racket, pushing and pulling on it with affection and sometimes something darker . . .

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The Pennys :: S/T

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The Pennys distills romantic garage pop to wistful essence, the chiming guitar lick, the rattle of tambourine and the plaintive whispery melody. The Oakland duo is comprised of two low-key but excellent mainstays of the Bay Area scene. RE Seraphin came up in Apache and the Impediments but lately has been spinning out a string of bittersweet solo discs. Mike Ramos is known for his lo-fi but gemlike work with Tony Jay, Cindy and Flowertooth. Together they put together six songs, all relatively concise but in no particular hurry, all with the unfussed grace and shifting moodiness of . . .

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Bandcamping :: Spring 2025

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We’re somehow barreling our way through 2025, time speeding up as spring’s renewal comes around again. The future is unknown, but music keeps us sane, humanity at its best. With another Bandcamp Friday hitting on May 2, check out a few recent recommendations below. Fill up your cart and keep on dreaming . . .

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PJ Harvey :: To Bring You My Love at 30

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Harvey made To Bring You My Love at the age of 25. The album was her third full-length, and the first to explore a career-spanning collaborative partnership with Jon Parish. Other musicians contributed, notably Bad Seeds veteran Mick Harvey, drummer Jean-Marc Butty and Joe Gore, but the album takes it shape from the fluid interactions of Harvey and Parish, often both of them playing guitars at once . . .

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Teo’s Bag: Constructing Bitches Brew

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55 years on, Miles Davis’ 1970 opus, Bitches Brew remains as mind-bending as ever, but its most enduring influence may lie in its innovative construction. A deeper look at Teo Macero’s methods and madness, paired with a 2-hour collection of unused session reels expands its universe . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PDT, Channel 35)

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Comme il faut. Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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Cooper Crain :: The Aquarium Drunkard Interview

Bitchin Bajas The AD InterviewPosted on

Cooper Crain is a bandleader, band member, producer, engineer, mixer, songwriter, improviser, and a player of organs, synths, guitars, and much more. First coming up as a member of the psychedelic, grooved-based Cave and then gaining more prominence with the hypnotic, meditative, and powerful Bitchin Bajas. The Bajas return this month with their new LP , marking their second collaboration with Natural Information Society. We caught up with Crain to discuss this latest collaboration, the art of mixing and editing music, and a selection of the musical projects that he's worked on over the past several years . . .

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Transmissions :: William Tyler (2025)

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William Tyler joins Transmissions for a time-bending talk about his new record, Time Indefinite, out this week via Psychic Hotline. On this episode of the show, we toss out the script in favor of following Tyler’s thoughts; like the indefinite time his new album references, linearity isn’t always the focus in this talk. And while we touch on more than a few heavy topics, including addiction, climate change, and the sad state of satirical art, this one is an entry in our "hangout episodes" series . . .

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Ras Michael & The Sons Of Negus :: Rastafari

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If there exists a more perfect reggae album than Rastafari to symbolize the rejuvenating, re-energizing power of spring we have yet to hear it. Turning 50 this year, this is far more than sound-system music, this is reggae as art form . . .

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The Lemon Pipers :: Through With You

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Nine-minute psychedelic opus "Through With You" landing on the same record as 1968'a chart-topping pop gem "Green Tambourine" is the crux of the bizarre duality of the Lemon Pipers saga. Though gaining admiration from the likes of Moby Grape, the "Eight Miles High" meets "Interstellar Overdrive" ripper was the intentional antithesis of the polished bubblegum sound that the label had orchestrated. It's a real hidden reward for those who ventured to the end of the decisively mixed bag of a record . . .

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In Walked Herbie :: On The Outward Spiral of Herbie Nichols

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In July, 1946, a 28-year-old Herbie Nichols visited the apartment of the 30-year-old Thelonious Monk. Nichols was there on 63rd Street to interview Monk for the Black-owned entertainment periodical Rhythm: Music and Theatrical Magazine, a visit which culminated in Monk performing his “Ruby, My Dear” on his Klein piano, which Nichols wrote was, “one of the greatest pleasures I’ve had listening to jazz . . .

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