Now available for streaming: Radio Free Aquarium Drunkard’s July 2020 broadcast, featuring an opening invocation by AD founder Justin Gage, Jason P. Woodbury’s Range and Basin, Tyler Wilcox’s Doom and Gloom From The Tomb, and Marty Sartini Garner’s Personal Sky.
RFAD lives—again! We’re pleased to announce the return of our freeform Radio Free Aquarium Drunkard transmissions via Dublab. Airing as a four-hour block every third Sunday of the month, RFAD on Dublab features Tyler Wilcox’s Doom and Gloom from the Tomb, Marty Sartini Garner’s Personal Sky, Jason P. Woodbury’s Range and Basin, alongside rotating shows and programming from Aquarium Drunkard friends, collaborators, and confidants. Things kick off Sunday, July 19th at 4 PM Pacific Time with a presentation by Aquarium Drunkard founder Justin Gage.
Bandcamp is stepping up once again on June 19 in honor of Juneteenth, a celebration of the end of slavery in the United States. For 24 hours, the platform will donate all of its our share of sales to the NAACP Legal Defense Fund, a national organization dedicated to effectively enacting racial justice and change through litigation, advocacy, and public education. In other words, it’s another good day to spend some money on Bandcamp. Here are a few suggestions to get you started.
Neil Young’s long lost Homegrown is a worthy addition to the songwriter’s famed “Ditch” period, sharing with those other lps a heavy sense of loneliness, loss and heartache (as well as some of the boozy joy). But it’s a distinct effort, too, filled with its own melancholy and mystery.
When the four members of the New Jersey-based band The Wrens set to work on the follow-up to their 2003 record, the critically-lauded The Meadowlands, Wrens guitarist and vocalist Charles Bissell promised himself things were going to be different. This is that story …
Once again, our obligatory year-end review. The following is an unranked list of albums that caught, and kept, our attention in 2019.
Though he’s fully capable of unrolling long, bejeweled runs on his instrument, Wilkes uses Live on the Green to showcase his skills as an arranger and producer. He tends to use his bass the way Lonnie Liston Smith used his piano in Pharoah Sanders’ group, announcing the changes and providing a safe space from which his fellow players can launch, while also perfuming the atmosphere
Boys and girls, All Hallows’ Eve is here, and you’re tuned into the October edition of the Transmissions podcast. The veil is thin and we’re back with another round of discussions and digressions. In this episode, Chicago’s Whitney discusses Forever Turned Around, the group’s sophomore lp. Then, New Age pioneer Don Slepian takes us back to the early ’80s. And to close out, a long ramble about Nick Cave and the Bad Seeds’ haunted instant classic, Ghosteen.
Well, that was fast. Decade is just about over, and as it draws to a close, its highs look awfully high in the rearview. Presented here, an unranked sprawl of 100 records that stuck with us, managing to break through the noise of an increasingly distracting age, and stick around in our heads.
If Juan Wauters didn’t exist, New York would have to invent him. The Uruguayan-born musician moved to the city with his family as a teenager and has called Queens his home ever since. As a songwriter — first with his punk band The Beets, and, since 2014, as a solo artist — Wauters exemplifies a strange kind of charm that seems distinct to New York: His work is smart, flinty, and not naive to the worst ways of the world. His records are recorded quietly and with sparing instrumentation, as if he’s trying his best to respect a sleeping neighbor.
You’re tuned into the Aquarium Drunkard Transmissions podcast…This month, we bring you the uncut edition of our conversation with Tim Heidecker, explaining the classic inspirations behind his latest LP, What The Broken Hearted Do. Also, a review of the John Coltrane boxset, Coltrane ’58: The Prestige Recordings. And to close out, Johnathan Rice live at Gold Diggers, discussing both his haikus—optimized for the social media age—and new album, The Long Game.
Chicago’s venerable Drag City turns 30 years young in 2019. In perhaps typical fashion, the label doesn’t seem to be doing much in the way of commemoration — no star-studded festival, no limited edition boxed set, no self-congratulatory excess. Instead, Drag City is doing what it’s always done: releasing great records.
But those past glories deserve a little celebration, don’t they? That’s why the Aquarium Drunkard team has put together this eclectic guide to Drag City’s immense catalog: 30 masterpieces for 30 years.
Welcome to the April edition of the Aquarium Drunkard Transmissions podcast—your monthly installment of conversations about music. This episode: Jonathan Rado of Foxygen unpacks “Seeing Other People,” Rozi Plain talks Sun Ra, and Juan Wauters on “La Onda de Juan Pablo” and “Introducing Juan Pablo.”
Coltrane ’58: The Prestige Recordings compiles every song Coltrane cut as a bandleader in that pivotal year, and captures him at a crucial stage in his journey, his first true attempt to will his sax into new territory.
The record has a kind of strange outsider art beauty about it that’s welcoming and inviting in its eccentricity. Big buoyant rhythms humming about streaks of strange nocturnal neon splendor. The Stars’ spaced-out soul mingling casually with their earnest and lo-fi approach to highlife garage rock.