Last January, Angel Olsen released the Sleepwalker 7” on Japanese label Sixteen Tambourines. That single’s A Side, “Sweet Dreams,” was three minutes of moldy basement rock 'n roll replete with distorted guitar vamps and Angels’ passionate yowl. The track cut a decidedly different path than the pastoral leanings of her previous releases. When asked if it indicated a new direction for her musically, Angel seemed uncertain. “I’m not sure where it’s going,” she . . .
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