There's an abundance of great Takoma School fingerpickers on the scene these days, but I'd be hard pressed to name one more masterful than Glenn Jones. First coming to renown as a member of the unclassifiable Cul de Sac, in recent years, Jones has established himself as one of the most quietly powerful acoustic musicians we've got. His latest for Thrill Jockey, Fleeting, is a stunner from start to . . .
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