The Lagniappe Sessions :: Adeline Hotel

Under the moniker Adeline Hotel, New York-based musician Dan Knishkowy has spent nearly the last decade releasing one fantastic album after another. A benchmark identity of the project is that no release ever repeats quite the same sonic foray, a deliberate approach taking creative inspiration from the likes of Jim O’Rourke and Arthur Russell, the musician revealed to AD last year. After hearing that sound mutate from fingerpicking guitar to the jazzy orchestral pop of Hot Fruit to last year’s personal concept album Whodunnit, Adeline Hotel’s inaugural Lagniappe Session reveals everything on full display.

Adeline Hotel :: The Aquarium Drunkard Interview

Proving to be a restless sonic chameleon, Adeline Hotel (the moniker of multi-instrumentalist Dan Knishkowy) never makes the same record twice. Inspired by the likes of Jim O’Rourke’s transmuting discography, Adeline Hotel’s recent records range from fingerpicking guitar, jazz-tinged atmospheric compositions, and orchestral art pop. With nods to the likes of Gillian Welch and John Martyn, his latest, Whodunnit, is a kaleidoscopic autumnal tapestry that brings Knishkowy’s precise lyrical talents to the forefront.

Adeline Hotel :: Hot Fruit

Dan Knishkowy’s Adeline Hotel takes many forms, from blues-folk guitar to pensive piano ballads to this, an exercise in breezy, carefully orchestrated jazz, dense with strings and woodwind instruments but full of light and air and clarity. This is buoyant, serene music, without much sweat or strain in it.