Upon first learning that Khruangbin’s next album would be a dub version of their last album, I was confused. I already imagined Khruangbin as a dub version of some imaginary, intermediary group. That’s how otherworldly they seemed. But aside for some atmospheric overdubs, the entirety of their recorded output was recorded live as a trio in a barn in Texas. They’ve fixed that with this latest release, Hasta El Cielo, which finds their most recent album receiving a thorough dub-oscopy with no amount of echo, reverb or heavy low-end spared.
The well from which Khruangbin drink is deep. And wide. While geographically based in Texas, sonically, the trio’s aesthetic is global. An atmospheric masala of funk and soul, strained through a lucent scrim of psych, the […]