Lambchop :: Punching the Clown

Lambchop’s Kurt Wagner’s weathered voice typically brushes up against melody, rather than embracing it. He sings very simply, with feeling but not much artifice, and if we left it at that, Punching the Clown might be just another exercise in minimalist Americana. But instead, in the making of this 17th full-length, Wagner became obsessed with lined-out singing, an un-notated form of gospel in which a leader sings a line, then a whole choir follows it in unison.

Lambchop :: The AD Interview

Late in 2019, when the world was just starting to hear rumors of a new flu in China, Kurt Wagner of Lambchop had an idea. He was short on material and wanted to bring the band together. Why not make a covers LP?

As November wore on, the song titles drifted in—a couple of Motown tunes, a George Jones classic, an A-side from an obscure garage band, an unreleased tune from James McNew (Yo La Tengo/Dump) and finally, the Wilco song “Reservations.”

Lambchop :: The Aquarium Drunkard Interview

2019 marks 25 years that Lambchop has been releasing albums. The incredible quality across that stretch is even more impressive when compared to the relative restlessness in the group’s sound and size. Their latest, This (Is What I Wanted to Tell You), is one of their finest albums yet and marks another push forward – an examination of a sound started on 2016’s FLOTUS.

Lambchop :: The Hustle

Always a pleasure to wake up to a new song from Nashville’s Lambchop, particularly an 18-minute plus epic like “The Hustle,” the first single in advance of the group’s forthcoming For Love Often Turns Us […]