Misha Panfilov has been brewing a singular blend of psychedelic jazz, electronic lounge, and ambient exotica for the better part of a decade now, the results growing only more potent and intoxicating with each council. On his latest solo venture, The Sea Will Outlive Us All, he greets us at an “Albatross”-on-repeat level of bliss and ascends toward a mystical summit of sound.
At a quick glance, Penza Penza might seem like a lost 70s Zamrock situation, and perhaps that’s exactly as Misha Panfilov would have it. The Estonian composer and multi-instrumentalist has proven tireless over the past few years—we took his 2021 earthy jazz masterpiece, Days as Echoes, recorded with the Misha Panfilov Sound Combo, for several spins around the orbit and have since savored his recordings with Gloria Ann Taylor, various one-offs and collaborations, as well as his forthcoming score for the animated film Sierra, the tastes from which have been a symphony of synth fantasias.
In the late ’70s Gloria Ann Taylor walked away from the music business, her career having largely stalled out since its auspicious ’60s origins. Renewed interest in her work resulted in the winning 2015 compilation Love Is A Hurtin’ Thing and a return to the studio before her passing in 2017. Now, her latter day recordings with Misha Panfilov Sound Combo finally see release.
Who is Misha Panfilov? The prolific Estonian multi-instrumentalist has shot onto the scene over the last few years, recording and releasing a grip of gritty groove-laden titles under his own name and with outfits such as Penza Penza, Centre El Muusa, and more, mostly via Detroit’s Funk Night Records. Panfilov pulls from a vast pool of influences, from Italian library music to Zamrock to Kosmische Musik, while creating an urgent – sometimes nearly unhinged—sound that is entirely his own.