Shrunken Elvis—the Nashville based trio of Spencer Cullum, Sean Thompson, and Rich Ruth—ignite a mind-meld of pedal steel, synths, and guitars on their self-titled debut, a slyly adventurous and immersive album that fuses languid soundscapes and kosmische vistas with elements of krautrock, spiritual jazz, and ambient & electronic music. Embracing touchstones such as Harmonia, Alice Coltrane, Pat Metheny, and Ashra, to name a few, the trio embark on sonic excursions that move through pastoral, tropical, and celestial realms.
Category: Sean Thompson’s Weird Ears
Sean Thompson’s Weird Ears :: Head In The Sand
Not unlike many sophomore efforts, Head In The Sand conjures a level of lyrical maturity and focus that differentiates it from its predecessor, almost confidently so. Make no mistake, however: a frantic ripper like “Storm’s Comin’ Tonight” reminds the listener to embrace the Dead-inspired choogle once again.
The Lagniappe Sessions :: Sean Thompson’s Weird Ears
Embrace the choogle. As far as summer jammers go, Sean Thompson’s ‘Weird Ears’ LP from last August continues to pay dividends as it slides from country to cosmic in the blink of an eye. Presently woodshedding material for his next full-length, we caught up with Thompson and co. from his Nashville home, cutting four tracks for his inaugural Lagniappe Session. Come for the Funkadelic cover, stay for the Kernal.
Sean Thompson’s Weird Ears :: S/T
Going from country to cosmic in the blink of an eye, the debut long-player from Sean Thompson’s Weird Ears will put a smile on your face and a spring in your step—guaranteed. The Nashville-based guitarist has established himself as a valued sideman over the years (you’ve heard him with Erin Rae, Eve Maret and Spencer Cullum as well as with the late/lamented Promised Land Sound), thanks to his tasty/tasteful six-string mastery.