Jessica Pratt doesn’t have many contemporaries. Her nylon-string reveries exist in a precarious space between the then and now, and she seems destined to float as a cult figure for […]
Category: The AD Interview
Catching Up With Alejandro Escovedo
“I’m sitting here in Carrboro, North Carolina.” This is the voice of Alejandro Escovedo. On the day we’re speaking, I’m hoping to catch his performance that night at the Cat’s […]
Maston: Tulips, 45 RPM & Psilocybin
This is the story of taking mushrooms, unintentionally playing a record mastered for 45 RPM at 33, and discovering its shadow self . . . and then discussing the experience with its architect. Sonic examples, for the curious, included.
Chris Cohen: The Aquarium Drunkard Interview
Like his work with Deerhoof, Cass McCombs, Ariel Pink, and Weyes Blood, Cohen’s gentle psych-pop has always rewarded paying close attention. But Chris Cohen finds the songwriter addressing his world with more candor than ever before.
Pedro the Lion: The Aquarium Drunkard Interview
Like Joan Didion’s writing about Los Angeles, or Flannery O’Connor’s examinations of the American South, Pedro the Lion’s “Phoenix” is as much about an inner place as it is about a location on the map.
Sharon Van Etten :: The Aquarium Drunkard Interview
In the four years since her last record, Sharon Van Etten has been busy. In that time she’s gone back to school, scored a film, and become a mother. It’s that last element that seems to hang over much of her excellent new album, Remind Me Tomorrow. Produced by John Congleton, it’s solid leap forward for an artist who has made substantive changes with every album she’s released. Aquarium Drunkard caught up with Van Etten, via phone from her home in Brooklyn, to discuss her new record, the paranoia of parenthood, the connective power of shared stories, and how Suicide, Nick Cave, and Portishead informed the work.
Harlem :: The AD Interview
Harlem always felt less like “garage rock” and more like a yard sale: strewn out in the driveway, “as is” stickers, handwritten signs down the street announcing “yard sale, this […]
Glenn Kotche :: The Aquarium Drunkard Interview
As anyone who’s ever seen him live can attest, Glenn Kotche is an inventive player, not beholden to typical rock & roll tropes and unafraid to interject left of center […]
Lola Kirke :: The Aquarium Drunkard Interview
A couple times a week, someone will come up to Lola Kirke and call her “Hai-lai,” parroting the loving mispronunciation of her Mozart in the Jungle co-star Gael García Bernal’s conductor character Rodrigo. As far as crosses to bear go, she admits it’s a fairly light one.
Speaking with Aquarium Drunkard, the actor/songwriter connected the threads between her dual disciplines.
Jeff Tweedy :: The Aquarium Drunkard Interview
For more than three decades, Jeff Tweedy has written about his fear of being misunderstood. First as one-half of the songwriting team in the pioneering alternative country band Uncle Tupelo, […]
Glenn Phillips (Hampton Grease Band) :: The Aquarium Drunkard Interview
47 years after its original release and resounding commercial failure, the Hampton Grease Band’s Music To Eat stands as a crucial entry in the experimental American music canon. Roaring out […]
David Crosby :: The Aquarium Drunkard Interview (2018)
Nearly five-and-a-half decades into his career, David Crosby might finally be hitting fourth gear. A new record, Here If You Listen , his second in collaboration with vocalists Michelle Willis and Becca Stevens , along with Mike League […]
Loudon Wainwright :: The Aquarium Drunkard Interview
Loudon Wainwright III can’t help but look back lately. Last year, the 72-year-old songwriter released a memoir, Liner Notes: On Parents & Children, Exes & Excess, Death & Decay & a […]
Kurt Vile :: The Aquarium Drunkard Interview
On Kurt Vile’s guitar epic “Bassackwards,” a highlight from the Philadelphia singer/songwriter’s newly released seventh album Bottle It In, Vile sings about “chilling out/but with a very drifting mind.” That […]
Sarah Davachi :: The Aquarium Drunkard Interview
You might not pick up on it by listening to the serene, enveloping sounds of composer Sarah Davachi’s Gave In Rest , but the record was born out of unsettled times. Written […]