David Berman is now recording under the moniker of Purple Mountains, and with the help of Jeremy Earl and Jarvis Taveniere of Woods, has created an album that encapsulates an entire missing chapter of his life—and, in typical fashion, has revealed quite a lot about that chapter in the process.
Category: The AD Interview
Lee “Scratch” Perry :: The Aquarium Drunkard Interview
When I call up the reggae legend, Lee “Scratch” Perry, The Upsetter, to talk about his new album Rainford I reach him on a grainy WhatsApp audio connection. He’s in Jamaica and he’s in bed, “looking at the lights. looking at the day, and looking at the night.”
Perry’s in his eighties and when he gets going he speaks in limericks, but he doesn’t come across as wacky, just joyful. The first thing I notice about Perry is the giggle that roils through the conversation and punctuates his sentences. It’s disarming, a Buddha-like by-product of a lifetime of producing joy by way of deep and heavy rhythms, and meant for killing egos.
Steve Diggle (Buzzcocks) :: The Aquarium Drunkard Interview
“We were influenced by literature and the use of words. We realized the world was a complex place. We were interested in the complexity of human beings, so we sang about the human condition.” Sitting down with Aquarium Drunkard, Steve Diggle of the Buzzcocks reflects on the band’s legacy of existential poetry and punk pop.
Death Is So On the Table :: A Conversation with Kevin Morby
Kevin Morby doesn’t feel at home in this world anymore. The songwriter joins Aquarium Drunkard to discuss the holy and profane elements of his latest album, the double lp “Oh My God,” detailing how the lens of religion allowed him to “tell a story of humanity.”
Catching Up With Lou Barlow
Lou Barlow has turned the last decade into something of a renaissance period. After the successful (and really good) reunion of the original Dinosaur Jr. lineup, Barlow also reignited the long dormant Sebadoh in 2013. Now the trio is back with their second album since reuniting, Act Surprised.
Craig Leon :: The Aquarium Drunkard Interview
Craig Leon spent the ’70s helping define the sound of New York City’s punk and experimental explosions. His new album, The Anthology of Interplanetary Folk Music Vol. 2: The Canon, features new recordings that return to the celestial focus of his album 1981 album “Nommos,” blurring distinctions between minimalism, electronic folk, and New Age.
Cate Le Bon :: The Aquarium Drunkard Interview
Cate Le Bon joins Aquarium drunkard to “reconcile all of the people and places that played into her most glamorous (and best) work to-date,” Reward, “a musical product that was informed and fueled by what she learned from “working with her hands, becoming comfortable with just focusing on the physical product in front of her.”
Joy and Defiance: A Conversation with Rickie Lee Jones
Rickie Lee Jones joins Aquarium Drunkard for a career spanning conversation, from her self-titled debut to forthcoming album Kicks.
“This thing with music,” Jones says. “It’s like working with magic.”
Honor Thy Hidden Intention: A.A. Bondy on the Rebirth of Enderness
A.A. Bondy is back with Enderness, his first album in nearly eight years. Forsaking the minimalist folk of his previous records, it embraces synths and digital textures, demonstrating Bondy’s willingness to keep driving at new approaches: “…Joy Williams…talks about once you figure out how to produce an effect as a writer, you have to discard it, every time.”
Craig Finn’s I Need a New War: The Aquarium Drunkard Interview
I Need a New War brings to end the trilogy Craig Finn started in 2015 with Faith in the Future and continued with 2017’s We All Want the Same Things, a triptych sidestepping the hard rock glory of Finn’s band the Hold Steady in favor of quieter, more introspective sounds and stories. Finn’s always written about hard luck characters, but increasingly, his lens centers more on the aftermath of the action than the action itself.
Lee Fields: The Aquarium Drunkard Interview
Soul singer Lee Fields reflects on five decades of making music for and with people, discusses the line between the sacred and the secular, and offers up cosmic advice: “The truth isn’t hard. A lie is hard. You have to catch yourself every time. People get caught up in lies, but when you’re dealing with the truth, man, it’s easy.”
Catching Up With Peter Prescott
Author and artist Dmitry Samarov’s new book, Music To My Eyes, was released last month via the Chicago based Tortoise Books. A 264 page love letter to independent music, Samarov’s words and minimalist illustrations flow in tandem, presenting a portrait of fandom and appreciation, from Nick Cave to Bill MacKay. Below, Samarov catches up with one of the subjects of his new book, Mission of Burma’s Peter Prescott.
Diane Coffee :: The AD Interview
Internet Arms , Shaun Fleming’s third full-length as Diane Coffee , is his most fully realized work to date. Grappling with technology and our relation to it, the artist chose to embrace the […]
Lambchop :: The Aquarium Drunkard Interview
2019 marks 25 years that Lambchop has been releasing albums. The incredible quality across that stretch is even more impressive when compared to the relative restlessness in the group’s sound and size. Their latest, This (Is What I Wanted to Tell You), is one of their finest albums yet and marks another push forward – an examination of a sound started on 2016’s FLOTUS.
Stephen Malkmus :: The Aquarium Drunkard Interview
“Some of these songs have this kind of ramshackle rhythm first of all, and it’ll kind of get into something and then kind of fall apart a bit.” This is […]