This Heat :: Made Available: John Peel Sessions

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“I get asked to play more music like This Heat, but to my knowledge there is no other music like This Heat” - John Peel

For 37 years, John Peel worked as a conduit, pulling unheard voices out of the static and setting them loose across the BBC dial. In 1977, one of those voices was This Heat, formed just a year earlier in a Camberwell rehearsal space. Frayed at the edges, with clipped rhythms pushed straight to broadcast, they didn’t sound like a band adapting to a Maida Vale studio so much as one ignoring the usual expectations of . . .

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The Lagniappe Sessions :: The Sleeves

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Built from repetition, negative space, and instinctive interplay, there’s something fitting about The Sleeves taking on CAN. Coupled with the twisted wild card of their cover of early-’00s British girl group Sugababes, this Lagniappe Session feels less like a set of covers than a slow dissection, with Jack Cooper and Tara Cunningham pulling the songs apart until only fragments remain . . .

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Setting :: S/T

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Three years and as many live albums have passed since Setting’s debut album. In that time, the trio of Nathan Bowles, Jaime Fennelly, and Joe Westerlund have sharply fine-tuned their form of exploratory electronic Appalachian drone music, and their new, self-titled album finds them on a heightened plane. The chemistry built between these three players over the last few years comes alive here in an even richer hue of their cosmic arboreal vision . . .

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Moby Grape :: Truly Fine Citizen

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With a mere three days in a Nashville studio and consummate Dylan producer Bob Johnston, the rugged yet sunny placidity of Moby Grape shone through on the band's ignored 1969 relic Truly Fine Citizen. Reduced to a trio after the departures of both Bob Mosley and Skip Spence, the songwriting of Peter Lewis takes the reins in a savvy and fragmentary guitar effort, with "Looper" dating back to their classic 1967 debut. To keen ears, the gems of such understated songwriting will recall similar contractual obligation efforts in the vein of Buffalo Springfield's Last Time Around . . .

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I Love Mystery :: Hiss Golden Messenger on the Hard-Earned Optimism of I’m People

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I'm People represents the beginning of a new era for Hiss Golden Messenger. The new project finds songwriter MC Taylor presenting a set of songs dedicated to, as he puts it in the album's biography, "Truth, lies, magic, faith.” It's a potent combo, and I'm People presents Taylor and his collaborators at his most refined, taking all the things that have made Hiss Golden Messenger recordings work so well in the past—country rock shuffles, indomitable boogies, soul and R&B flourishes, and heartland pop—and melting it all down to its core. We caught up . . .

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King Tuff :: Moo

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King Tuff’s Kyle Thomas reached back into his own past to make MOO, resurrecting an old Tascam 388 and dusting off a road-tested Gibson SG, even moving back to Vermont to shed the glitz of LA for the woolen-sweatered homeyness of his native Brattleboro. Funny thing, though. In rummaging through his own history, he tapped into a larger, longer narrative, making a raucous, rough-hewn country rock record that wouldn’t have been out of place in the mid-1970s . . .

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Julius Eastman, Vol. 5: Gay Guerrilla

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Written in 1979 and premiered in 1980, Gay Guerrilla is one of the best examples of Eastman's proto-minimalist compositions, made up of drones and phasing loops that gradually go in and out of sync to produce a hypnotic convergence of texture and timbre as he craftly modulates tempo and formal structure . . .

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Dollar Diamonds :: Volume Five

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Jerry David DeCicca returns with another set of records you can score for a dollar—including selections by Larry Hosford, George Benson, Roy Buchanan, and more. Plus, he responds your Dollar Diamond DMs . . .

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The Lagniappe Sessions :: Simon Joyner & the Nervous Stars

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Simon Joyner is this week’s guest on our Neil Young podcast, All One Song — but he’s not just that! With his friends the Nervous Stars, he also recorded a new Lagniappe Session for us … and it’s all Neil Young songs! What a gift. Simon, of course, is one of our greatest singer-songwriters, with a deep discography stretching back to the early 1990s. He’s one of those guys who just seems to get better with age; to wit, his upcoming album Tough Love is one of his very best, a deeply felt collection that feels timeless . . .

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All One Song :: Simon Joyner on “After The Gold Rush”

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Welcome back to All One Song. Today, our guest is Simon Joyner, discussing "After the Gold Rush." The Omaha-based singer-songwriter has a career stretching back to the early 1990s; you might call him a songwriter’s songwriter—at least he’s got a ton of peer admiration. To accompany his all Neil Young Lagniappe Session, he joins us to talk Shakey . . .

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Alan Braufman :: In Motion

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Saxophonist and flutist Alan Braufman continues his late era renaissance with "In Motion," a fidgety burst of vibraphone-forward post-bop from the forthcoming album Anthem of Peace, out May 15 on Valley of Search, a label founded by Braufman's nephew and producer, Nabil Ayers, and named after his 1975 debut. Swinging powerfully, the song joins previously released numbers like "Angels" and the title track in testifying to Braufman's continued zeal . . .

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Seefeel :: Sol.Hz

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Some bands emerge from long periods of dormancy by returning to first principles, reengaging with energy of their origins. British electronic/ambient/post-rock legends Seefeel have instead opted to continue forward, into a vanishing point of their own devising. The songs on Sol.Hz, their first full album since 2011, brim with negative space and elegant absence. Sole remaining members Mark Clifford and Sarah Peacock have burned off the impurities of their sound until only the deliberate, distilled essence, the soul of Sol.Hz, remains . . .

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Bolbec :: Foutu Félin

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Sans any overarching pastiche, there are mood-bending elements harkening back to the orchestration of Piero Piccioni's iconic scoring, with fragments of a reoccuring piano waltz swagger and lofty excursions of incandescent soundscapes. Like an unearthed library relic or weathered OST recorded by a savant like Sven Wunder, Foutu Félin effortlessly fuels that ambition to get the hypothetical projector rolling . . .

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Spencer Cullum :: The Aquarium Drunkard Interview

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On Spencer Cullum's latest release, the closing chapter to the Coin Collection series, Spencer’s focus has shifted from curiosity to frustration. In trying to make sense of what’s unfolding before our eyes today, it helps to go back to the past. That’s exactly what Cullum has done with his most recent work . . .

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Bandcamping :: Spring 2026

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Mayday, Mayday! The latest Bandcamp Friday hits on May 1, giving us all the chance to put some pennies (and hopefully more) into the pockets of those hard-working musicians out there, without any of those pesky fees getting in the way. A few recent recommendations are below — fill up your cart . . .

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