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Sussan Deyhim & Richard Horowitz :: The Invisible Road: Original Recordings, 1985-1990

Richard Horowitz Sussan DeyhimPosted on

The RVNG Intl label comes through yet again with an absolutely uncategorizable, absolutely essential archival collection. The Invisible Road gathers a host of valuable tracks from the duo of Sussan Deyhim and Richard Horowitz, whose adventurous sound blends caffeinated downtown minimalism, traditional Middle Eastern modes, almost Kate Bush-y avant-garde synth pop and more . . .

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Posted on Richard Horowitz Sussan Deyhim

Erik :: Look Where I Am

ErikPosted on

An absolute one-off of the purest grade.  Erik Heller dropped in with Look Where I Am in 1967 and immediately vanished. The Vanguard LP came out of nowhere. A fleeting artifact that has outlived its creator, Heller can’t be found in another band, has no prior recordings, and nothing would surface down the road. There isn’t a clear picture of Heller’s background, how the record came about, or even a list of the studio musicians that prop up much of the LP . . .

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Tobacco City :: Horses

Tobacco CityPosted on

Tobacco City formed around Chris Coleslaw and Lexi Goddard, both singers, both guitarists, whose vocal interplay recalls the swirling laments of Oakley Hall. They are especially fine together in anthemic “Time,” where Coleslaw’s keening lead collides with the buzzing sweetness of close harmonies. But while they set up these songs’ structures, pedal steel guitarist Andy “Red” PK adds color in the wailing, crying, yearning tones of his pitch-shifting instrument . . .

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Posted on Tobacco City

Richard Dawson Is Walking The Path :: On The End of the Middle

Richard Dawson The AD InterviewPosted on

“I’m trying to convince people that I’m a wizard and she always helps,” Richard Dawson chuckles, over Zoom, acknowledging the presence of his adorable and aptly named cat Trouble, who has cozily curled herself around the crook of the songwriter’s neck, perfectly poised like a luxurious scarf. She mostly remains in that position while Dawson speaks about the various themes and influences that provided a strong foundation for his excellent eighth studio album, The End of The Middle . . .

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Posted on Richard Dawson The AD Interview

The Aquarium Drunkard Show: SIRIUS/XMU (7pm PDT, Channel 35)

SIRIUSPosted on

Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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Posted on SIRIUS

Transmissions :: Lucy Sante

Lucy Sante PodcastPosted on

The great writer Lucy Sante joins us on Transmissions to talk about her latest book, I Heard Her Call My Name: A Memoir of Transition, Bob Dylan, fashion, the early days of music journalism, The Velvet Underground and more: "I didn't meet anybody who listened to The Velvets, until I got to college in ‘72. But it felt then there was a secret society of us all over the globe. It's like that Eno quote about 'everybody who heard the first album went out and started their own band.' Well, everybody who heard the second album, I don . . .

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Posted on Lucy Sante Podcast

Circuit des Yeux :: Halo On The Inside

Circuit des YeuxPosted on

Haley Fohr wrote Halo on the Inside at night, alone, gripped by an obsession with transformation, with Ovid-style metamorphosis from animal to human, from human to tree, from god to beast. The horns she wears on the album cover evoke Pan, the god of nature, fertility, music and spring, and the music inside, likewise, pushes relentlessly through the dirt, finding light and life and purpose in the struggle towards the light . . .

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Posted on Circuit des Yeux

monde ufo :: Flamingo Tower

Monde UFOPosted on

On their third album, Flamingo Tower, LA’s monde ufo feel stranger, darker, and heavier than ever before – a damning and ghostly document of erosion, malaise, and decay. With a recurring psalm theme and atmospheric operatic vocals from Kathryn Tabachnick, the album’s groggy, spiritual cacophony feels perpetually on edge, with bandleader Ray Monde’s hushed spells mired in an occult dread constituted by propulsive, free-jazz psychedelia, hallucinatory bossa nova, and possessed, lo-fi garage rock . . .

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Posted on Monde UFO

Takuro Okada :: The Near End, the Dark Night, the County Line

Takuro OkadaPosted on

The stateside debut of a versatile Japanese guitarist focuses on mostly solo work, largely recorded at home over a period of years. Encompassing ambient ECM mellowness, electronic urgency and tangy noir, The Near End, the Dark Night, the County Line shows us an eclectic musician stubbornly chasing tranquility and always restlessly on the move . . .

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Posted on Takuro Okada

Bonnie “Prince” Billy :: The Aquarium Drunkard Session

Will OldhamPosted on

Will Oldham, aka Bonnie "Prince" Billy offers a three-song set of exclusive recordings for Aquarium Drunkard. Tune in to hear "Boise, Idaho" and "Guns Are For Cowards" from his great new album The Purple Bird and "Behold, Be Held!" from 2023's Keeping Secrets Will Destroy You . . .

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The Lagniappe Sessions :: Adeline Hotel

Adeline Hotel Lagniappe SessionsPosted on

Under the moniker Adeline Hotel, New York-based musician Dan Knishkowy has spent nearly the last decade releasing one fantastic album after another. A benchmark identity of the project is that no release ever repeats quite the same sonic foray, a deliberate approach taking creative inspiration from the likes of Jim O'Rourke and Arthur Russell, the musician revealed to AD last year. After hearing that sound mutate from fingerpicking guitar to the jazzy orchestral pop of Hot Fruit to last year's personal concept album Whodunnit, Adeline Hotel's inaugural Lagniappe Session reveals everything on full display . . .

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Posted on Adeline Hotel Lagniappe Sessions

The Lagniappe Sessions :: Yves Jarvis

Lagniappe Sessions Yves JarvisPosted on

Reviewing Yves Jarvis' All Cylinders, we wrote, "Where once was a loose attempt at art gospel or chopped-up soul, now there is a conscious, sincere engagement with the classics Jarvis clearly adores—Paul McCartney, Love, Stevie Wonder, and Prince." Those are clearly classic touchstones, but Jarvis does more than tap into them: he taps into their spirits and synthesizes them into something brand new. Jarvis is a melodic polymath, which is made clear by his first ever Lagniappe Session, which finds him covering material from Porter Robinson, John Mayer, and a standard from Frank Sinatra . . .

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Posted on Lagniappe Sessions Yves Jarvis

Dub Syndicate :: Out Here On The Perimeter 1989-1996

Adrian Sherwood Dub SyndicatePosted on

Continuing the drive to get the On-U Sound catalogue back out there and following on from the '80s Dub Syndicate box set Ambience In Dub, the label presents the Out Here On The Perimeter box set – with a title that makes no effort to hide the label's otherness from usual dub fare - collating four Dub Syndicate records spanning 1989-1996. As a special bonus, a fifth recording is included entitled Obscured By Vision, on which Sherwood reworks rhythms from the period . . .

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Posted on Adrian Sherwood Dub Syndicate

The Aquarium Drunkard Show: SIRIUS/XMU (7pm PST, Channel 35)

SIRIUSPosted on

Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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Posted on SIRIUS

Midnite Jazz :: The Tommy Flanagan Trio (1960)

Midnite Jazz Tommy FlanaganPosted on

The Midnite Jazz column returns with The Tommy Flanagan Trio (1960): a purely laid-back rendezvous into classic jazz ballads and standards. With a sprightly runtime of just over a half-hour, it's the perfect soundtrack for late-night strolls after last calls, when the streets are as hushed as the trio's dynamics . . .

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Posted on Midnite Jazz Tommy Flanagan