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Bernard Estardy :: Cha Tatch Ka

Bernard EstardyPosted on

Bernard Estardy: musician, arranger, producer and co-founder of CBE studio, Paris. When not flexing behind the boards for Françoise Hardy, Nino Ferrer, and Gérard Manset, Estardy was subtly laying down his own brand of cool, recording 100+ instrumentals, including a lone LP--1971's La Formule Du Baron. It's from here that we find the slightly twisted "Cha Tatch Ka", a two and half minute sample-ready mashup of percussive funk, playful whimsy, and scat-damaged vox . . .

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Lumumba ‎:: Lumumba (1974)

LumumbaPosted on

Aside from an assist from Trinidadian bassist Luther Coffey, and American guitarist David T. Walker, 1974’s Lumumba was entirely recorded in Los Angeles by a grip of Ghanaian players, including (funky) drummer Rim Kwaku Obeng . . .

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Betty & Roy :: I’ll Be There

Betty & RoyPosted on

A love-struck slice of mid-tempo soul, Betty & Roy’s “I’ll Be There” is a timeless, off-the-beaten-path B-side that’s too much of a treasure to be lost. Originally released in 1964 via Eddie Floyd’s Safice imprint, the duo step in line with processional horns, shuffling piano, and twinkling, islandic guitar before getting swept up in a crescendo of their steadfast vow. It’s the kind of rare gem that, even if you’re hearing it for the first time, sounds like it’s been with you your whole life . . .

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Armbruster :: Masses

ArmbrusterPosted on

Masses is an album of composed and improvised violin solos recorded in the hollows of an old church, and it vibrates with a sense of hallowed unknowing. Deftly interlacing strands of chamber music, ambient minimalism, and Appalachian fiddle, Connor Armbruster conjures a music that feels simultaneously ancient and new, poised between instant and eternity . . .

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50 Years Of Harry Nilsson’s The Point

Harry NilssonPosted on

It was a tough sell to get greenlit. Following a slew of canceled meetings, Harry Nilsson managed to secure an airplane seat next to an ABC executive to finally pitch his idea for an all-ages animated film. Like a true passion project, Nilsson feverishly sold his concept of an unconventional children's fable based around fictitious characters with pointed heads (and an archetypal “outsider” protagonist). Fifty years on, it's hard to imagine the musician's legacy without it . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PST, Channel 35)

SIRIUSPosted on

Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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Emmanuel Brun :: La Voix Psychédélique

Emmanuel BrunPosted on

French musical saw virtuoso, Emmanuel Brun. Released in 1975 (via the lp, Magie de la scie musicale), Brun's supernatural singing saw takes a backseat on "La Voix Psychédélique", allowing guitarist Geny Detto to work up a nice, frothy choogle. Dig it . . .

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Charles Lloyd/Billy Higgins :: Unreleased Duet, July 1993

Billy Higgins Charles LloydPosted on

Likely a precursor to the 2004 ECM double-duo-album Which Way Is East, which was Higgins’ final recording, the '93 duet contains a familiar acoustic ambience—beautiful, ragged, scruffy—and sounds imprecise but locked in: theme and un-variation that could only be crafted by these two Americans . . .

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Matthew E. White :: Transmissions

Matthew E. White PodcastPosted on

Matthew E. White joins us on Transmissions to discuss K Bay as well as his duo recording with former guest Lonnie Holley, Broken Mirror: A Selfie Reflection. Along the way, he touches on his communal approach, Miles Davis, his youth in the Philippines, and the transcendent qualities of The Flamingo's "I Only Have Eyes For You . . .

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Lena Platonos :: Bloody Shadows From Afar

Lena PlatonosPosted on

The penultimate track from her 1985 lp, Gallop, Lena Platonos’ “Bloody Shadows From Afar” is a dark-wave tinted sonar of synth-pop-industrialism. It creeps in forebodingly and, as seductive as she is stealthy, the Greek composer’s voice hovers over undulating analog synths and a Roland 808 . . .

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Weather Station :: How Is It That I Should Look at the Stars

The Weather StationPosted on

Weather Station’s Tamara Lindeman moves further into jazz in her sixth album, paring back from the large-ensemble, elaborately instrumented sounds of Ignorance to find a smoky, late-light club vibe. The result is a set of songs that are feather light and full of space, sonically, but lyrically and emotionally heavy . . .

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Philomath: The Aquarium Drunkard Journal | Issue 01, Spring 2022

PhilomathPosted on

Presenting Philomath: The Aquarium Drunkard Journal. Issue 01, Spring 2022. Featuring contributors include Tim Presley, William Tyler, Willy Vlautin, Devendra Banhart, Jesse Jarnow, and Jason P. Woodbury. Art by Denis Boudart, printed in collaboration with Cereal Box Studio. Only available at our Patreon . . .

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Electricity & Lust :: Pavement’s Slanted & Enchanted — Live!

PavementPosted on

Pavement’s debut long-player hits its 30th anniversary in April. To celebrate its lasting appeal, here’s a version of the album re-created from live tapes cherry picked from over the years, from the Gary Young era to the Westie days, and even with a little solo Malkmus thrown in there for good measure.Beautifully rough around the edges, occasionally on the verge of falling apart completely, it’s an appropriately enchanting listen, with style for miles and miles . . .

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First & Last: Japanese Private Press, Vol. 1

First & Last MixtapesPosted on

Welcome to the opening installment of First & Last, a series of mixes providing a glimpse into the world of Japanese private press, or 自主盤, pronounced "jishuban”, which loosely translates to “independent board.”

This first mix, a menagerie of songs from across the spectrum of Japanese private press, serves as an introduction to subsequent mixes. Tanosh . . .

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