Umburkus Returns presents 74-year-old Southern woodworker and DIY composer David Michael Moore at his most expansive, featuring avant-Americana percussion soundscapes, holy meditations, and horndog reveries . . .
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A marvel of sweet synthesizers, field recordings, and beyond, A Picnic Of Sorts’ debut compact disc envelops the listener in a subtly immersive ambient landscape. Mobile sounds fantastic in any listening situation — through headphones, turned up loud to fill the room, or (best of all maybe) as the soundtrack to a long drive with no particular destination in mind . . .
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With his new album, Triecade, Los Angeles-based guitarist, artist and composer Steven R. Smith marks three decades of releasing music. Since his early days amidst the Jewelled Antler collective, Smith has put out some fifty records under half a dozen different monikers. Taken in its totality, his catalog comprises an almanac of forgotten countries, ruined cities and faded empires, a sketchbook of improbable flora and fauna. It is one of the most enchanting and labyrinthine discographies in modern American music . . .
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The Purple Bird is more overtly country than the last few Bonnie “Prince” Billy albums, certainly more so than the droning, mesmeric Lungfish homage in Hear the Children Sing the Evidence from 2024 or even the campfire folk communal Keeping Secrets Will Destroy You from 2023. Of course, threads of rural traditions in country, bluegrass and shape not singing have always woven through Oldham’s work, so it’s not a dramatic departure. Still, this is an album made in Nashville with Nashville musicians and a celebrated Nashville producer, and the twang factor is high . . .
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Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.
34.1090° N, 118.2334° W . . .
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Despite a slew of great tunes, Stephen Malkmus’ self-titled, post-Pavement debut felt restrained, reining in his more extreme tendencies. This is in stark contrast to the follow up record, 2003’s Pig Lib. Credited to Malkmus and the Jicks, this is the first record where SM is thinking of himself as a member of the rock band The Jicks. And as a Jick, Malkmus can to lean into his extremes (guitar indulgence, poetic weirdness), and it shows . . .
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Folklorist Derek Piotr recently issued his 1,000th field recording. Alongside his own solo work, he's overseen the Derek Piotr Fieldwork Archive since 2020—a collection of field recordings that mostly showcase what Piotr dubs a “non-singer”: someone with no background in vocal performance who nevertheless sings a folk song as remembered through oral tradition . . .
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There's always so much Sun Ra music to experience. But even among all the riches, Dead Currencies' Ra comp Kingdom of Discipline is a special piece: released in an edition of 75, it speaks to Ra as an independent media pioneer as much as a jazz composer . . .
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As a member of the pioneering chamber/world/GORP jazz group Oregon, as a solo artist and leader or co-leader, guitarist/multi-instrumentalist/composer Ralph Towner has been making wide-ranging, pigeonhole-defying music for more than half a century. Speaking to Aquarium Drunkard from his home in Rome, Towner was happy to look back at a few of the many highlights of his remarkable and varied career, from including but not limited to all-night concerts in the ‘70s, an impromptu jam session with Sonny Rollins, his jazz-snob regrets, kicking Bill Evans off the piano, looking for . . .
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New Year's Day. Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.
34.1090° N, 118.2334° W . . .
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August 2, 1972. Keith Jarrett performing solo in Molde, Norway the at the eleventh annual Molde Jazz Festival. Clocking in at 46 minutes, the concert is comprised of one continuous improvisation that Jarrett dubbed "Molde-72". This recording was later paired with Jarrett's return performance at the festival the following summer as the 2-CD collection, Keith Jarrett – Molde Jazz Festival 1972 & 1973 -- a 2021 Japanese import . . .
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Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.
Tonight, suit up, it’s Aquarium Drunkard’s annual seasonal spectacular . . .
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For the darkest time of year, a wintry mix of stark sonic landscapes — jazz, ambient, acoustic and unclassifiable. Instrumental treks through the snow, hopefully with a mug of hot chocolate (or something stronger) awaiting you at your final destination . . .
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Christmas Evil may seem like a hokey slasher film done up in garland and wreaths, but it's a tragic character study that speaks directly to the motifs of the holiday season. With the thematic tissue of a Christmas film and the derangement of a horror film, filmmakers such as John Waters have referred to Christmas Evil as "the greatest Christmas film of all time . . .
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Off-piste. Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.
34.1090° N, 118.2334° W . . .
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