Welcome to the third installment of the Aquarium Drunkard Guide to ECM Records: The New Millenium. Writer James Jackson Toth (Wooden Wand) explores the label’s contemporary output, that of “a boutique label in the guise of a music industry behemoth.”
The Windham Hill sound was inviting and warm, but nonetheless idiosyncratic, a hallmark of a moment when mainstream commercial success and the lack of traditional pop forms didn’t negate each other.
Welcome to the second installment of the Aquarium Drunkard guide to ECM Records . Marked by an attention to sonic space and a distinct visual aesthetic, since 1969 ECM has released a wide amalgamation of jazz, fusion, […]
Happy Halloween and welcome to the October edition of the Transmissions podcast. Hope you enjoyed our bonus podcast episode, featuring AD’s Halloween mix. If you haven’t heard it, check your feed or MixCloud . It’s essential […]
In anticipation of the second installment of our Guide to ECM Records , join the Aquarium Drunkard crew and our friends Zach Cowie and Third Place this Sunday, October 28th, in Los Angeles at hi-fi bar and cafe In […]
Founded by Manfred Eicher in Germany in 1969, ECM Records (Editions of Contemporary Music) has spent nearly 50 years assembling one of the strongest catalogs in musical history. Marked by an attention to sonic space […]
Last year witnessed the opening of the hallowed digital vaults of the ECM label. Long a holdout from digital platforms, the Berlin based ECM (Edition of Contemporary Music) was founded in 1969 by Manfred Eicher in […]