Posts

Niningashi :: Heavy Way

Branching off their Nippon Acid Folk 1970​-​1980 compilation, Time Capsule’s reissue of Niningashi’s 1974 LP Heavy Way is a gem of private press, outsider psych. Recorded and self-released while in pharmacy school, the young Tokyo-based musician and his six-piece band captured lightning in a bottle here, and sound like they had fun doing it . . .

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Tidiane Thiam :: Africa Yontii

Tidiane Thiam’s last LP was a gorgeously stripped-down thing, featuring the Senegalese guitarist communing with nocturnal natural sounds. Africa Yontii, by contrast, is relatively lush and full, with beats, electric six-string and subtle electronics complementing Thiam’s intricate fingerpicking. It’s different, but the meditative space and spirit of the music remains . . .

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The Lagniappe Sessions :: Bobby Lee

Cosmic country rambler Bobby Lee takes the controls and sets a course for the heart of the cosmos with these covers of songs by Don Williams, Fred Eaglesmith, and funk legends Cymande . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PDT, Channel 35)

Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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Billy Talbot :: The Aquarium Drunkard Interview

Way back in the 1990s, Neil Young started mentioning Early Daze, a collection of previously unreleased studio recordings he made with Crazy Horse in the late 1960s. As with most everything in Shakeyland, it was a long time coming … but this summer Early Daze finally emerged. Worth the wait? Oh yeah.

For further insight, we went to one of the guys who was there for it all — bassist Billy Talbot . . .

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Transmissions :: La Lom

Sometimes, background music moves to the foreground. That’s the case with today’s guests, guitarist Zac Sokolow, bassist Jake Faulkner, and drummer Nicholas Baker. Together, they form La Lom—short for the Los Angeles League of Musicians. In 2019, they were hired to bring suitably vibey music to the lobby of the historic Roosevelt Hotel on Hollywood Boulevard. Now, they've got a new album coming out on Verve. They join us to discuss . . .

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Luke Temple and The Cascading Moms :: Certain Limitations

While his nimble, soft guitar phrasings and textured harmonies often evoke experimentalists like Bill Frisell or Egberto Gismonti, in Certain Limitations, Temple has formed a trio with Kosta Galanopoulos and Doug Stuart (who they dub "the Cascading Moms") to throw this recognizable aesthetic on top of contorting, broken rhythms—especially in the second half of the record, with the revolving-effervescent "It's All About Timing" and the compressed-syncopated "Second Half." The result is another gem of effortless pop perfection, that can be idle in form without ever giving up its frenzied steam . . .

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Galaxie 500 :: Uncollected Noise New York ’88-’90

Legendary dream pop and shoegaze pioneers Galaxie 500 just announced their first batch of new music in almost thirty years with the archival compilation Uncollected Noise New York 88-90. A double gatefold LP including a colored special edition inspired by TMOQ bootlegs, the release, scheduled for this September, includes b-sides, outtakes and rare versions of classics like "Blue Thunder" and "Fourth of July . . .

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Dog Days of Aquarium Drunkard

We were curious what people's summers sounded like. So we asked a clutch of the regular contributors to tell us what they were listening to beat the heat and why. What we heard back made for a weird, wonderful soundtrack for this far stretch of the earth’s revolution around the sun. Here's a slate of recommendations to power you through these dog days of summer . . .

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David Michael Moore :: Lunch Is Having Lunch

Dubbed a "true American wildass" by his label, septuagenarian woodworker, instrument maker, and composer David Michael Moore lands somewhere between a Southern Moondog, Vince Guaraldi in the Delta, or even JJ Cale on his beatific Lunch Is Having Lunch . . .

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Anthony Pirog :: The Aquarium Drunkard Interview

Always fearless in his pursuit of sonic fusion, the wizardry of Anthony Pirog continues to invade new melodic landscapes. Hard noise. Ambient. Jazz. Punk. Experimental noise funk. He joins us to discuss collaborations with members of Fugazi, Nels Cline, James Brandon Lewis, Jerry Gilgore, and more . . .

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Punk Jazz :: John Zorn’s Spy vs Spy at 35

Sometime in the mid-1980s, John Zorn was hanging out in New York City’s East Village when he made a career-altering choice: to take in a hardcore show at CBGBs. The experience profoundly shaped his next album, the ultra fast, ultra brief Spy vs Spy: The Music of Ornette Coleman . . .

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West of Roan :: The Aquarium Drunkard Interview

West of Roan is a duo of Annie Schermer and Channing Showalter, two visual and performing artists, who share a love of old folk and myth, close harmonies, shifting drone and puppets. Though grounded in old, ancestral traditions—Celtic and Norse mythology, unadorned singing and the plangent tones of fiddle—the pair have resolutely avoided folk purism. “We’re pretty careful about performing traditional music,” Showalter explains.“ We think it through and we think about what we want to say about the song that we’re singing that’s not ours, and if we don’t feel like we really . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PDT, Channel 35)

Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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The Glass Bead Band

It’s just guitar, drums and vocals for the duration of the Glass Bead Band’s self-titled debut LP, but that’s more than enough — this is killer stuff, perhaps not unlike something you might’ve heard on Touch & Go back in the mid-90s. Matt Stadelmann’s declamatory vocals and elemental (but still highly melodic) guitar, Marshall Yarbrough’s rock-solid rhythms, hypnotic song forms that occasionally build into explosive moments . . .

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