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Various Artists :: Maybe I’m Dreaming

With twenty selections culled from private press relics only, Maybe I'm Dreaming is a grab bag that feels as congruous as it does eclectic. From the Anthology Recordings diggers who brought you essential previous compilations like Sad About The Times, this collection is a self-described conscious detour, pairing synth-driven gems and reggae rhythms with rootsy AOR folk rock. Like a mixtape from a reliable old friend, Maybe I'm Dreaming feels curated with purpose and delivered with a panoramic reach . . .

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Blake Mills & Pino Palladino :: That Wasn’t A Dream

That Wasn't A Dream, the new album by Blake Mills & Pino Palladino, was recorded in a series of live sessions at Sound City Studios, and works like a redux jazz version of Mills atmospheric, cinematic, dream-like aesthetics, best showcased in his 2023 slow indie gem Jelly Road . . .

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Sunking :: I Don’t Like My Telephone

A spin-off of adventurous jazz fusion band High Pulp, sunking prioritizes brief, transient grooves and restless rhythms. On their third album, the trio enlists guest vocalists from their native L.A. scene and cuts down on their previous sprawl. Hazy, chewy, curious and cool, sunking has made an album for endless weird summers, ideal for indoor living, tiny twilights and evening escapades . . .

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Vish Khanna of Kreative Kontrol :: “The Creative Motivation Remains the Same”

This week, music journalist Vish Khanna published the 1,000th episode of his long running Kreative Kontrol podcast, a fascinating conversation with the ever-prolific Ty Segall. And while lesser broadcasters might take a few weeks off for a leisurely victory lap, Khanna instead just got to work putting the finishing touches on episode 1,001 (also published this week). Khanna joins us to discuss the milestone . . .

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Catching Up With Adrian Sherwood

While collaboration has been a hallmark of Adrian Sherwood’s storied career, he is currently stepping out on his own with a full-length The Collapse of Everything and an EP The Grand Designer, his first solo efforts in 13 years. We recently connected with him to discuss this new work, his ever-evolving set of studio tools, his history in music and his lifelong commitment to learn and grow . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PDT, Channel 35)

Tropical orientation. Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays. No static at all.

34.1090° N, 118.2334° W . . .

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The Lagniappe Sessions :: Silver Synthetic

Tracked in New Orleans at Bruisey Peets’ Lake Vista compound on a Tascam 388, for their debut Lagniappe Session Silver Synthetic add their steady brand of choogle to Coney Island Baby era Lou Reed, some late '70s Chris Spedding and, naturally, give a nod to the mount Rushmore of the genre via JJ Cale's "Wish I Had Not Said That." Hit with a near city wide black out while recording, the band packed their car full of gear and went looking for electricity. The lights were on at Funky Nola LLC, where they finished out the tunes . . .

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All One Song :: Ilyas Ahmed on “Arc”

Welcome back to All One Song: A Neil Young Podcast. We’re spending the summer talking to some great musicians and writers about their one favorite Neil Young song. Or at least one of their favorite songs. Here this week to examine the mysteries and magic of Arc is Ilyas Ahmed. The Portland, OR-based musician has been making consistently fascinating music for well over two decades now, whether all on his own or in close collaboration with fellow travelers like Grouper, Jefre Cantu-Ledesma, Golden Retriever, Dania Shihab and many more. He also serves as guitarist in Grails, an . . .

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Ryan Davis :: The Aquarium Drunkard Interview

We caught up with Davis in the run-up to the release of his new LP New Threats from the Soul to discuss his first band State Champion, the different struggles he faced in making the two albums, the comedy in his songwriting, and more . . .

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Fruit Bats’ Spelled in Bones at 20

Twenty years ago this month, Chicago songwriter and multi-instrumentalist Eric D. Johnson dropped his third album under his Fruit Bats moniker. Spelled in Bones took the charming indie folk melodies and landscape painting lyrics of his earlier work and spun them into a swirling, hook-laden power pop masterpiece. The album, with its sepia-tinged memories of youth and lost love and its apprehensions of fate and the future, found Johnson staring adulthood in the face. Two decades on and it has lost none of its punch . . .

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Dieter Schütz :: Voyage / Inventions

Two reissued albums from Dieter Schütz, an electronic musician who died young, show an eccentric artist turning the future sounds and computer worlds of industrialized Western Germany to his own eccentric devices. Full of heart yet proudly artificial, tropically tinged, loosely lively and factory made, Schütz’s music offers a point of entry into obscure and overlooked corners of the Berlin School and krautrock scenes . . .

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Jimmy Rowles Trio :: Rare-But Well Done (1954)

At a time when the musical acrobatics of hard-bop jazz were in full swing on the East Coast, Rowles showed little interest in the dazzling technical feats or subversion of form that many of his contemporaries were partaking in. Instead, the unfettered Rowles chose to color within the lines, forming elegant arrangements that drift along like blue smoke curling around an after-hours lounge. On his first solo release, Rare, But Well Done (1954), Rowles’ approach is warm and classy, containing the understated sophistication of a well-tailored black suit: no loud colors, garish patterns, or ostentatious branding — just . . .

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Burning Spear :: Marcus Garvey

Of all the reggae cornerstones hitting their 50th anniversary this year, you’d be hard pressed to find another that hit with the same gale force of Burning Spear’s Marcus Garvey. Part reggae master class, part history lesson, Marcus Garvey introduced Winston Rodney’s impassioned wail to the world, establishing Burning Spear as one of reggae’s foremost emissaries and educators. Simply put, this is one of the heaviest, deepest roots sets ever laid down . . .

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Floating Action :: The Aquarium Drunkard Interview

Over the last 20 years, Seth Kauffman has quietly released more than a dozen albums of languid, slightly exotic indie rock once clunkily described as “Appalachian Beck.” He plays and sings every note tracked in his basement studio with a DIY touch that renders the hallmark Floating Action sound characterized by slightly-off-kilter groove and woozy warmth. With a new LP dropping next month, we caught up with Kauffman at home in North Carolina to discuss all things Floating Action . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PDT, Channel 35)

Outré California. Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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