Posts

The Allah-Las :: S/T

The first thing you hear on the Allah-Las’ self-titled debut LP sounds like a distant wave, or maybe a spring reverb amplifier head being jostled about in the studio.

Whatever it is, it hardly feels accidental. The Allah-Las are more than just California boys, they’re West Coast avatars. The record’s 12 songs are sun-bleached two- or three-minute gems dressed up in barre chord garage rock . . .

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Jessica Pratt :: S/T

The only thing visible on the cover of Jessica Pratt’s debut album is her face bursting out of an antique blackness in bright contrast. The image is zoomed in so closely it suggests that the world only exists within inches of Pratt’s expressionless face, features dissipating into the negative space. One could expect an intense, introspective affair, but there’s a searching quality in many of these songs, and what she uncovers in the darkness is intimate and up close.

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Calvin Love :: The Aquarium Drunkard Session

This Friday, during the second hour of the Aquarium Drunkard show, we're airing the session Calvin Love laid down for us at Red Rockets Glare Studios last summer while in Los Angeles. Love's debut lp, New Radar, dropped last week via Autumn Tone -- read about that,

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Brian Eno Interviewed On KPFA’s Ode to Gravity, February 1980

Go ahead and clear the next two hours. In 1980, Berkeley radio KPFA's "Ode to Gravity" host, Charles Amirkhanian, sat down with Brian Eno to discuss the various aspects of his recording career up to that point (Eno would have just been finishing his first collaboration with David Byrne). While hour one is entertaining in and of itself, what you really don't want to miss is the second hour. Recorded 32 years ago, Eno runs down a sort of linear history of the use the recording studio as a compositional tool -- including various audio examples -- beginning with Elvis . . .

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SIRIUS/XMU :: Aquarium Drunkard Show (Noon EST, Channel 35)

Our weekly two hour show on SIRIUS/XMU, channel 35, can be heard twice every Friday — Noon EST with an encore broadcast at Midnight EST.

Today, during the first hour, I aired the latest AD podcast, Transmission 6, which can be downloaded,

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The 31st Of February :: God Rest His Soul

An unreleased demo, prior to the 1989 Dreams boxset, The 31st Of February's "God Rest His Soul" features the nascent pairing of brothers Duane and Gregg Allman.   Recorded at TK Studios in Hialeah, FL, the song is culled from sessions that would include a number of early demos that were soon be fleshed out, and find prominence, in the group that would solidify . . .

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Rock And Roll Circus / A Quick One While He’s Away

In an effort to get away from the cycle of recording and touring, the Rolling Stones put together the Rock and Roll Circus in the winter of 1968, inviting along Taj Mahal, Jethro Tull (featuring Black Sabbath’s Tony Iommi), Marianne Faithful, and a one-off supergroup called the Dirty Mac that was comprised of John Lennon, Keith Richards, Eric Clapton, and Jimi Hendrix Experience drummer Mitch Mitchell. To call it an historic night would be an understatement: It was the first . . .

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Catching Up With The Growlers :: The AD Interview

The Growlers’  music that has trickled out over the past few years is scrappy, sloppy, and immediate. They call it “beach goth” -- lo-fi surf rock with a country backbeat. On tape the music sounds chill, but in concert it achieves a frenzying effect; a surprisingly tight and no nonsense live show helmed by the devil-may-care charisma of lead singer, and grungy surfer-dude chief, Brooks Nielson.
Earlier in this year, The Growlers were poised to get a big boost. Longtime fan Dan Auerbach (of The Black Keys) invited the Californians to his studio in Nashville to craft their next album. But after a week in the studio the band ditched the sessions claiming the results were “overcooked.” It was a buzz-kill for the fans, but the group didn’t seem to lose too much sleep over it, returning to California to make their record, DIY-style. The results (the first full length Growlers record in several years), Hung at Heart, is now poised for release. After the jump, Brooks and guitarist/singer Matt Taylor treated AD to a spritely, spirited conversation about this transitional moment in their band’s career. Dig in. . .

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The Lagniappe Sessions :: The Amazing (Tim Buckley / R.E.M.)

Lagniappe (la ·gniappe) noun ‘lan-ˌyap,’ — 1. An extra or unexpected gift or benefit. 2. Something given or obtained as a gratuity or bonus.

The Lagniappe Sessions return this week with  The Amazing. Comprised of members of Swedish psych-rock monsters, Dungen, the group just saw the stateside release of its second LP,

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AD Presents :: The Jon Spencer Blues Explosion @ The El Rey

Ladies and gentleman: this Friday night AD presents The Jon Spencer Blues Explosion at The El Rey Theatre. For those of you in Los Angeles, we're giving away five pairs of tickets. To land a pair, leave a comment stating how you first discovered the band, along with your name and a valid email we can hit you back at. Winners notified by Thursday; tickets . . .

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Aquarium Drunkard: Sidecar (Transmission 6) — Podcast / Mixtape

Buffalo print/autumn width.. More freeform interstitial airwave debris transmitting somewhere off the coast of Los Angeles.

Direct download, below; subscribe to future transmissions via iTunes and/or through the RSS, here. The first five transmissions can be found and downloaded, here.

MP3: Sidecar . . .

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Calvin Love :: New Radar

Calvin Love’s  music–the way it sounds–gives away the process responsible for its creation.  Its sparse musical landscape is populated by thin guitars, electronic drums, and occasionally vintage synthesizers,  which add a wooly, electronic warmth to the focused, slender arrangements.  The lo-fi, cassette, 4-track fidelity sets a very particular ambiance throughout New Radar

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Nina Simone :: Documentary (By Peter Rodis, 1969)

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Danny & The Memories :: Land of A 1000 Dances

In his recent memoir, Waging Heavy Peace, Neil Young comes across this ancient Scopitone on YouTube. "I looked at it maybe twenty times in a row," he writes. Why such interest in this fuzzy piece of video from the mid-60s? Because it's a rare vision of Danny and the Memories, featuring Danny Whitten, Ralph Molina and Billy Talbot -- the trio that would become the original Crazy Horse

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Golden Void :: S/T

Maximum Heavy. That’s the phrase — borrowed from Joe Carducci’s Rock and the Pop Narcotic — that comes to mind when listening to Golden Void’s self-titled debut offering. “Heavy” in this respect isn’t necessarily about volume or velocity (though those certainly play a part here), but more about a vibe, a kind of instrumental interplay, a . . .

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