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Office Culture :: The Aquarium Drunkard Interview

Office Culture The AD InterviewPosted on

Inspired by a dream in which he produced a CD called Enough, the latest from Office Culture signals a shift in songwriter/producer Winston Cook-Wilson's whip smart songcraft: employing a wide cast of collaborators, including guest appearances by Alena Spanger, Sam Sodomsky's The Bird Calls, and Jackie West, he turns his attention to rhythms, textures, and mood, creating mini-movies with each of the album's 16 songs. From clanking, layered polyrhythms, to melodious fretless bass, to pensive piano ballads, it's a dynamic listen that feels as personal as it does ambitious . . .

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Posted on Office Culture The AD Interview

Joni Mitchell Archives, Vol. 4: The Asylum Years (1976-1980)

Joni MitchellPosted on

The late 1970s were a good time for Joni Mitchell’s music. The latest volume of the Joni Mitchell Archives series focuses on this period through demos, outtakes, and live recordings. It’s not a complete picture, but it’s one that helps explain how a folk singer from the Canadian prairies came to work with jazz heavyweights and write lyrics for a Charles Mingus standard . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PDT, Channel 35)

SIRIUSPosted on

Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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Posted on SIRIUS

Styrofoam Winos :: Real Time

Styrofoam WinosPosted on

Styrofoam Winos—the Nashville-based trio of Lou Turner, Trevor Nikrant, and Joe Kenkel—follow up their 2021 self-titled debut with Real Time, an endearing and invigorating collection of shaggy southern rock and dusty, woolen folk. With a lo-fi, ambling ease, they cruise through road-weary choogles; swampy, faded funkers; harmonica swept confessionals; and meditative, noodling jaunts through the passage of time . . .

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Posted on Styrofoam Winos

Thine Retail Simps :: Strike Gold, Strike Back, Strike Out

Theee Retail SimpsPosted on

While the future is uncertain, the present is most decidedly not. In Strike Gold, Strike Back, Strike Out Thine Retail Simps have made one of the weirdest, most discontinuous, jokiest rock and roll records of the year—and one of the best . . .

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Posted on Theee Retail Simps

Transmissions :: Frosty and Hermanos Gutiérrez

Hermanos Gutiérrez Mark "Frosty" McNeill PodcastPosted on

This week on the show, we're joined by three guests—though, not all at once. In the first half of the show: Mark “Frosty” McNeill of dublab and the LA Phil to discuss a new compilation he helped produce, Even the Forest Hums: Ukrainian Sonic Archives 1971​-​1996; in the second-half of the show, Estevan and Alejandro Gutierrez, better known as Hermanos Gutiérrez just us to discuss their latest album of spacey guitar instrumentals, Sonido Cosmico . . .

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Posted on Hermanos Gutiérrez Mark "Frosty" McNeill Podcast

Sun Araw :: The Aquarium Drunkard Interview

Sun Araw The AD InterviewPosted on

Sun Araw's Cameron Stallones doesn't stick to one mode. Since 2007, he's exercised extreme artistic freedom, creating tapestries of experimental pop, zoned-out soundscapes, MIDI-symphonies, and dub-inflected synthscapes. On his 10th album, Lifetime, he spent years manipulating his bandmates' contributions digitally, blending improv and post-production, resulting in a florid space of clapping drums, guitar scrawls, and oozy synths, all aided by sunny, yacht rock ready melodies. He joins us to discuss the record, as well as his collaborations with legends like Laraaji and The Congos . . .

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Posted on Sun Araw The AD Interview

Oscar Peterson :: Romance (1954)

Midnite Jazz Oscar PetersonPosted on

Our 'Midnite Jazz' series continues with an often overlooked release from Oscar Peterson's mid-fifties output. Romance features the decorated jazz pianist stepping in front of the microphone for his vocal debut, softly crooning his way through standards and ballads with pure class and cozy intimacy . . .

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Posted on Midnite Jazz Oscar Peterson

Christopher Owens :: I Wanna Run Barefoot Through Your Hair

Christopher OwensPosted on

It’s been long enough. There’s no need to play coy, no sense in waiting any longer than we already have. I’ll state it plainly here at the top: this is the album we’ve been waiting for Christopher Owens to make for over a decade. I Wanna Run Barefoot Through Your Hair is an extraordinary, wholly unexpected achievement, as bold and beautiful and great as any one of the immortal Girls records.

It may, in fact, be better . . .

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Posted on Christopher Owens

Videodrome :: In Conversation with Sara Gran on The Legacy (1978)

VideodromePosted on

For a special "Halloween edition" of the VIDEODROME column, we sat down with author and screenwriter Sara Gran to discuss The Legacy (1978). It's a rollicking conversation about the film's impact on Gran's life and work, satanic cabals, psychoanalysis, and much more . . .

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Posted on Videodrome

Osees :: SORCS 80

John Dwyer Thee Oh SeesPosted on

No guitars! For his 28th album at the helm of the Osees, John Dwyer and a crew of art punk instigators switch to synths, samplers, drum machines and two saxophones. That’s a radical change, but it makes surprisingly little difference. If you know the Osees at all, you’ll recognize the sound immediately . . .

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Posted on John Dwyer Thee Oh Sees

Cass McCombs :: Seed Cake On Leap Year

Cass McCombsPosted on

For an artist who ordinarily focuses on what’s next, Cass McCombs has been doing quite a lot of rummaging through the vaults lately. This collection of early, unreleased material comes out at the same time as the backwards looking 2000​-​2004 Demos, Live and Radio, which is to say the very beginning of the McCombs emergence as an artist . . .

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Posted on Cass McCombs

Anaïs Mitchell :: The Aquarium Drunkard Interview

Anaïs Mitchell The AD InterviewPosted on

There seems to be something downright mystical about everything Anaïs Mitchell does. With Bonny Light Horseman's Keep Me On Your Mind/See You Free, a double album and their third release to date, blends conversational songwriting and a cast of characters culled from our collective mythology to expand upon their already rich brand of storytelling and music-making. Anaïs joined us via Zoom from her family farm in Vermont . . .

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Posted on Anaïs Mitchell The AD Interview

Prince :: Come

PrincePosted on

“This is the dawning of a new spiritual revolution.” It was 1993. Prince had just announced his eternal rest. Well, metaphorically—though perhaps not entirely. Born from this turmoil was Come, an album that symbolically marked the passing of Prince’s former persona. The cover—stark in black and white—captured the artist poised outside the breathtaking Sagrada Familia Cathedral in Barcelona, casting an undeniably funereal tone that whispered of transformation and finality . . .

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Posted on Prince

Masayoshi Fujita :: Migratory

Masayoshi FujitaPosted on

Masayoshi Fujita says his music aims to evoke the skies and mountains of his native village of Kami-cho, Hyogo, in Japan. To some extent, they really do: the sedative vibraphones and marimba of Migratory, bundled as they are with a geographical tracklist, allow us to visualize the natural tranquility that is so often associated with a branch of traditional Japanese music . . .

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Posted on Masayoshi Fujita