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The Lagniappe Sessions :: Adeline Hotel

Adeline Hotel Lagniappe SessionsPosted on

Under the moniker Adeline Hotel, New York-based musician Dan Knishkowy has spent nearly the last decade releasing one fantastic album after another. A benchmark identity of the project is that no release ever repeats quite the same sonic foray, a deliberate approach taking creative inspiration from the likes of Jim O'Rourke and Arthur Russell, the musician revealed to AD last year. After hearing that sound mutate from fingerpicking guitar to the jazzy orchestral pop of Hot Fruit to last year's personal concept album Whodunnit, Adeline Hotel's inaugural Lagniappe Session reveals everything on full display . . .

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The Lagniappe Sessions :: Yves Jarvis

Lagniappe Sessions Yves JarvisPosted on

Reviewing Yves Jarvis' All Cylinders, we wrote, "Where once was a loose attempt at art gospel or chopped-up soul, now there is a conscious, sincere engagement with the classics Jarvis clearly adores—Paul McCartney, Love, Stevie Wonder, and Prince." Those are clearly classic touchstones, but Jarvis does more than tap into them: he taps into their spirits and synthesizes them into something brand new. Jarvis is a melodic polymath, which is made clear by his first ever Lagniappe Session, which finds him covering material from Porter Robinson, John Mayer, and a standard from Frank Sinatra . . .

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Dub Syndicate :: Out Here On The Perimeter 1989-1996

Adrian Sherwood Dub Syndicate Reggae/DubPosted on

Continuing the drive to get the On-U Sound catalogue back out there and following on from the '80s Dub Syndicate box set Ambience In Dub, the label presents the Out Here On The Perimeter box set – with a title that makes no effort to hide the label's otherness from usual dub fare - collating four Dub Syndicate records spanning 1989-1996. As a special bonus, a fifth recording is included entitled Obscured By Vision, on which Sherwood reworks rhythms from the period . . .

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Posted on Adrian Sherwood Dub Syndicate Reggae/Dub

The Aquarium Drunkard Show: SIRIUS/XMU (7pm PST, Channel 35)

SIRIUSPosted on

Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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Midnite Jazz :: The Tommy Flanagan Trio (1960)

Midnite Jazz Tommy FlanaganPosted on

The Midnite Jazz column returns with The Tommy Flanagan Trio (1960): a purely laid-back rendezvous into classic jazz ballads and standards. With a sprightly runtime of just over a half-hour, it's the perfect soundtrack for late-night strolls after last calls, when the streets are as hushed as the trio's dynamics . . .

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Transmissions :: Steve Lillywhite

Podcast Steve LillywhitePosted on

Welcome back to Transmissions with Jason Woodbury. This week, Steve Lillywhite, a producer who's had as pivotal a role in shaping your host's musical taste as anyone. In this conversation, Lillywhite opens up about working with artists like Dave Matthews Band, U2, Phish, XTC, The La's, Marshall Crenshaw, The Killers, and more. From The Joshua Tree to Billy Breathes, from Before These Crowded Streets to Field Day, Lillywhite speaks about it all, the influence of dub, his production approach, and more . . .

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The Pretty Things :: Rock St. Trop

The Pretty ThingsPosted on

Sometimes a record's peculiar milieu is so anomalously ingrained with the finished product that attempting to separate the two is a futile exercise. The "lost" 1969 album Rock St. Trop (sometimes simply titled Philippe DeBarge) is a glaring case study . . .

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Will Stratton :: Points of Origin

Will StrattonPosted on

Will Stratton ditches his usual delicacy and heads deep into fire country on his eighth album, delivering a quietly ambitious and wholly convincing set of songs about conflagrations, California and the steady erosions of time. Featuring an array of characters connected by circumstance, saloons and prisons of society’s making as well as their own, Points of Origin expands on (and pares back) Stratton’s careful fingerstyle guitar arrangements and folk melodies to incorporate the bizarro American visions of Steely Dan and Jimmy Buffett. It’s a vivid and exquisite update of rock’s bummer era to fit today’s . . .

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Pass The Hatchet :: On Yo La Tengo’s Guitar Sculptures

Yo La TengoPosted on

When Yo La Tengo shifts into "guitar sculpture" mode, you'd be forgiven for thinking the idea is simply to make as much noise as possible. But closer inspection reveals Alexander Calder-like complexity, a commitment to movement and grace. The band’s sculptures aren’t static objects made of hard materials like traditional sculpture, but instead are always shifting and moving. The following is a sampling—though not all—of Yo La Tengo in this zone. They are presented chronologically and unranked. After all, this isn’t Guitar Player magazine . . .

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Geologist :: The Aquarium Drunkard Interview

Animal Collective GeologistPosted on

We caught up with Brian Weitz (Geologist) late in February about his new collaborative record with Doug Shaw, A Shaw Deal, which transforms guitar sounds into an eclectic, sometimes unrecognizable shapes and patterns, as well as about his fascination with the renaissance instrument, the hurdy-gurdy, which he first heard at a Keiji Haino concert at Tonic in the aughts, and now employs to create hallucinatory improvised sets, about as far from the Ren Faire as a stringed instrument can wander. He’ll be releasing an album of hurdy-gurdy music later this year . . .

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David Grubbs :: Whistle From Above

David GrubbsPosted on

This is Grubbs’ first solo LP since 2017, though he has, in between, made records with a Ryley Walker, Taku Unami, Jan St. Werner and the Wingdale Community Singers. This one, too, is a collaborative effort, though Grubbs remains at its intellectual center, pushing the boundaries with precision, rigor and surgical cleanliness, but pushing them all the same . . .

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Echolalia :: S/T

EcholaliaPosted on

For a debut founded on the sensibilities of musical friendship, the coexistence of playfulness and brilliant musicianship makes Echolalia a refreshing marvel. Here's hoping there's plenty more to come . . .

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Jan Erik Vold & Jan Garbarek :: Hav (1971)

Jan Erik Vold Jan GarbarekPosted on

In 1969 Norwegian poet Jan Erik Vold teamed up with compatriot and a young tenor saxophonist Jan Garbarek who would provide the musical backdrop to his debut poetry record Briskeby Blues. A fantastic record in its own right, but notable here for laying the groundwork for its successor – Hav, in 1971. By this point Jan Garbarek had also released his own debut album in The Esoteric Circle and had just recorded his masterpiece Afric Pepperbird towards the end of 1970 . . .

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Posted on Jan Erik Vold Jan Garbarek

John Coltrane :: A Love Supreme (60th Anniversary Edition)

John ColtranePosted on

In 1966, an interviewer in Japan asked John Coltrane what he hoped to be in five years, to which he replied, 'a saint.'" Whether you're an audiophile, record collector, or Coltrane-fanatic (or all of the above), the sixtieth-anniversary edition of A Love Supreme is a welcomed addition to any vinyl library. One small recording session for jazz musicians, one giant leap for all music . . .

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Transmissions :: Jazz Is Dead (Ali Shaheed Muhammad & Adrian Younge)

Adrian Younge Ali Shaheed Muhammada PodcastPosted on

This week on Transmissions: Adrian Younge and Ali Shaheed Muhammad, the duo behind the label and concert series Jazz Is Dead. Founded in 2017, Jazz Is Dead began releasing new work by jazz artists frequently sampled in rap and hip-hop in 2020, including releases from legendary players like Roy Ayers, Azymuth, Gary Bartz, Lonnie Liston Smith, Tony Allen, and more. Recorded in analog at Linear Labs, the Jazz is Dead series does more than pair younger players with established elders; it showcases the powerful link that connects musicians across decades . . .

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Posted on Adrian Younge Ali Shaheed Muhammada Podcast