You can glimpse a stunning sunset through a ruined window on the cover of the Allah-Las’ fifth full-length, Zuma 85, a fitting metaphor for the music’s cracked pastoral beauty, which imbues 1970s psychedelia with sunny So-Cal breeziness.
The LP gets at a very consistent vibe from divergent directions, trying out all sorts of ideas but fitting them into a single, album-spanning narrative. It’s a nice view, but more than that, a reminder of how art can spring from difficulty and transcend it.
8 musicians, 16 surfers, and tucked-away surf breaks in Mexico, the Maldives and Iceland are on full display, as the viewer is taken on a journey that showcases the seamless relationship between wave and sound. As the opening credits state, the surfing was done in real time… the music was created in response.
Welcome to Aquarium Drunkard’s recurring Transmissions podcast. Today, we’re launching a new mini-series in collaboration with the folks at Mexican Summer . Last month, we sent AD’s Jason P. Woodbury to Marfa Texas […]
This group sounds like bungalows in canyons; hidden deco stairsteps peeking from leafy hillsides; kustom kars and dovetails and chicks in OP shorts with long, long hair, like a Dennis […]