Ayo Ke Disco: Boogie, Pop & Funk from the South China Sea (1974-88)

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A vibrant fusion of sounds comes blasting off the grooves of Ayo Ke Disco: Boogie, Pop & Funk from the South China Sea (1974-88), the recently released compilation from the inimitable Soundway Records. Curated by the label’s own longtime general manager Alice Whittington (aka DJ Norsicaa) and informed by her Malaysian heritage and collection of Asian records, the disc surveys the 70s and 80s discotheque scenes of South-East Asia, boasting disco, synth, and psychedelic-infused funk from Indonesia, Singapore, Thailand, Malaysia, Hong Kong and the Philippines . . .

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Tomo Katsurada :: Dream of the Egg

Kikagaku Moyo Tomo KatsuradaPosted on

When Kikagaku Moyo surprisingly called it quits a few years back, one naturally anticipated that we'd eventually see new projects (solo or otherwise) trickle out from the uber-talented five piece. Described as a "unique fusion of music and visual art", the first offering arrives as the debut EP from lead vocalist Tomo Katsurada . . .

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Sentridoh :: Really Insane – A Lou Barlow Compendium

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Of all of Lou Barlow’s many projects, Sentridoh is the most misunderstood. The new compilation, Really Insane - A Lou Barlow Compendium, invites us to return to (or discover) Sentridoh with fresh ears – not as an alternative to hardcore but a continuation of it. With Sentridoh, Barlow built his own, solipsistic world, colored by persistent tape hiss, thumping guitar downstrokes, and the psychosexual hassles of an extended adolescence . . .

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Chatuye :: Ahmuti

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Chatuye is a group composed of musicians from Dangriga, Belize, who only got together in Los Angeles in 1981. There, they quickly became major exponents of the newly-formed afrobeat scene, garnering attention from world music enthusiasts that were emerging in the US in the 1980s. As such, it was one of the first— though certainly not the last—bands to be described as “afrobeat” without being from Africa . . .

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Happy Thanksgiving :: Doug Sahm And Friends – Austin, TX 1972

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Tradition runs rampant around Thanksgiving: generations of old recipes, football, Alice’s Restaurant, and, of course, a parade of balloons shutting down NYC. What else do you need? If you thought you were covered in the Thanksgiving tradition department, we did too…until a few years ago, when someone blew the dust off a long lost tape — Doug Sahm’s Thanksgiving Jam . . .

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Dylan Tupper Rupert & Jessica Hopper on Groupies :: The Aquarium Drunkard Interview

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It opens with an abduction—and only gets crazier from there. Groupies is the latest series from KCRW's Lost Notes music podcast. Written and hosted by Dylan Tupper Rupert and producer Jessica Hopper, the show's eight episodes span the end of the '60s, the birth of the '70s Sunset Strip culture, and the dawn of punk rock, illuminating the lives of women often written out of the story or viewed as mere accessories to their rock star companions . . .

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The Things :: Coloured Heaven

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Prior to this fortieth anniversary reissue, you likely never saw The Things or 1984 debut record Coloured Heaven included on canonical Paisley Underground lists. Wearing its influences on its sleeve, the album is emblematic of their Los Angeles roots from Love to their Paisley peers in Rain Parade. Similar to Emergency Third Rail Power Trip, it's a relic of woozy, melodic neo-psychedelia that stands out across any era or movement . . .

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Quartet :: Live at Gold Diggers (2024)

Dave Harrington Quartet Robert Walter's 20th Congress Spencer ZahnPosted on

I first caught wind of Robert Walter around 1998 at a late night show at the Maple Leaf in New Orleans during jazz fest. Now fast forward 26 years. Two months ago Walter joined forces with Dave Harrington, Spencer Zahn and Kosta Galanopoulos for a heady Tuesday night of free improv space jazz/funk at Gold Diggers in East Hollywood, Los Angeles. Spread over the course of two sets, shit got real as the audience played witness to something new, something primal. Thankfully there was a taper in the house . . .

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Posted on Dave Harrington Quartet Robert Walter's 20th Congress Spencer Zahn

Sam Blasucci :: Real Life Thing

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When he's not singing high harmonies and playing sun-baked folk as one half of the excellent SoCal duo Mapache, Sam Blasucci moonlights on his solo records as a polished purveyor of AM gold. Picking up where last summer's brilliant Off My Stars left off, Blasucci's new album Real Life Thing mines a vein of early 70s soft rock to craft a perfect collection of sophisticated bubblegum . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PST, Channel 35)

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Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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Kristen Roos :: Universal Synthesizer Interface, Volumes I, II, III

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In 2019, Vancouver composer and sound designer Kristen Roos acquired a floppy disc of pioneering computer musician Laurie Spiegel's 1986 algorithmic composition program Music Mouse for a few bucks on eBay. The purchase sent him tumbling down a rabbit hole of vintage music software interfaces. Over the three volumes of Universal Synthesizer Interface, Roos has captured the fruits of his research and experimentation. Composed of pulses and patches, primitive drum machines and bass squelches, Universal Synthesizer Interface emerges as one of the most slyly delightful, engaging and weirdly beautiful musical projects going . . .

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Transmissions :: Phosphorescent

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We’ve reached the end of the road for this season—season 9 concludes with this episode, a conversation with Matthew Houck, the leader of the avant-country band Phosphorescent. In April, Phosphorescent released Revelator, the band’s ninth album. It’s their debut for Verve Records, after a string of well-received albums on Dead Oceans. Joined by collaborators like Jim White of the Dirty Three—who you heard earlier this season—Jack Lawrence of The Raconteurs, and his wife and songwriting partner Jo Schornikow, it finds Houck examining—what else?—the end of the world . . .

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Bridget St. John :: Paris, 1970

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Via French television, check out this terrific 13 minutes of Bridget St. John performing three songs solo in Paris, the songwriter’s crystalline guitar and singular vocals captured perfectly. Do we talk about St. John enough? Sure, she’s had plenty of boosters over the years (John Peel was a huge fan), but in our mind she deserves to be mentioned alongside Nick Drake, Sandy Denny, John Martyn and others as one of the great English songwriters of the late 60s/early 70s. I’m also going to put her up there among the very best heads of hair of . . .

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Videodrome :: Out Of The Blue (1980)

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Out of the Blue (1980) marks Dennis Hopper's return to the director's chair after a decade of exile, transforming what was intended to be a light-hearted coming-of-age drama into a domestic tragedy about wayward youth during the apex of the punk scene . . .

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Bert Jansch & Finn Kalvik :: Norwegian Television (May 7, 1973)

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It's officially Bert Jansch season. Recorded live in the spring of 1973 for Norwegian television, the following twenty-eight minute session finds the Scottish troubadour in the company of Norwegian folkie Finn Kalvik. The set kicks off with the pair collaborating on Jansch's own "Running From Home" (via his 1965 s/t LP) before sliding into an alternating guitar pull between the two musicians. Koselig . . .

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Posted on Bert Jansch