Star Moles :: Snack Monster

Star MolesPosted on

On Snack Monster, Philadelphia-based artist Emily Moales sets out to explore a self-described "medieval via 1960s folk troubadour" ethos. A literary concept album pipeline inspired by the writings of twelfth century French author Andreas Capellanus, the record glimmers with the most charming benchmarks of Tascam-recorded, warbly bedroom pop. It's a deliberately stripped down detour compared to previous Star Moles offerings, eschewing synthesizers for a romanticism in the paired down nylon string guitar and vocals . . .

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Dog Days of Aquarium Drunkard

Dog Days of Aquarium DrunkardPosted on

The heliacal rising of Sirius around late July traditionally marks the start of the dog days of summer. For the astrologically-minded, it begins an ill-omened period of drought and sickness. For the rest of us, it is simply hot and muggy. Either way, the antidote is probably about the same: shade, a cold beverage and some good music. We asked the AD crew, once again, to tell us what they were spinning in the high summer sun. What we got back has everything you need to beat the heat.

Dig in. The temperature is high. The air is . . .

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Director Ethan Silverman on AngelHeaded Hipster: The Songs of Marc Bolan & T. Rex

T. Rex The AD InterviewPosted on

AngelHeaded Hipster: The Songs of Marc Bolan & T. Rex isn't a typical music documentary. While it does do what a viewer might expect in terms of using talking heads, archival footage, and critical analysis to tell the story of glam pioneer Marc Bolan and T. Rex, it also presents behind the scenes footage of artists like Nick Cave, Joan Jett, U2, Macy Gray, and many more cutting Bolan's songs in the studio for the late producer Hal Wilner's T. Rex tribute album (also called AngelHeaded Hipster). The result is a film that puts his songs at the . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PDT, Channel 35)

SIRIUSPosted on

Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays. No static at all.

34.1090° N, 118.2334° W . . .

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Osees :: Abomination Revealed At Last

John Dwyer Thee Oh SeesPosted on

With Abomination Revealed At Last Osees careen on down in the headlong punk rock direction set out in 2022's A Foul Form. John Dwyer’s double drumming, speed-and-volume addicted five-piece formation has never been sharper or more enraged. The opening cut, “ABOMINATION” requires not one but two full kits in furious motion to kick off, the one manned by Modey Lemon’s mighty Paul Quattrone, the other bashed to smithereens by Dan Rincon, an Osee through multiple spellings and iterations . . .

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All One Song :: Rosali on “I Don’t Want To Talk About It”

All One Song Neil Young PodcastPosted on

This week is going to be slightly different. This week, we’re talking about a song that was not written by Neil Young. Nevertheless, it’s a song that is very much a part of the Shakey multiverse: Danny Whitten’s “I Don’t Want To Talk About It,” which appeared on Crazy Horse’s debut LP in 1970. Here to guide us through the impossibly lonesome landscapes of “I Don’t Want To Talk About It” is singer-songwriter Rosali Middleman — or just Rosali if you prefer. She’s been a longtime fixture over at Aquarium Drunkard. But even . . .

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Kenny Barron :: Lucifer

Jazz Kenny BarronPosted on

Word that pianist Kenny Barron's 1973 debut as leader Sunset to Dawn was getting a welcome reissue this year sent us back to some of his other releases from that period. Most intriguing among them is his ultra-rare, never-reissued 1975 fusion experiment Lucifer, an album that mixes acid funk, sensitive balladeering, synthesizer experiments and queasy psychedelia. Practically impossible to acquire but eminently worth hearing, Barron never sounded as freaky as he does here . . .

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Up In My Mind: An August Mixtape

MixtapesPosted on

One hundred and twenty-seven minutes of strange and mercurial music – slow burning, sprawling, smoggy, and ephemeral. 60s Kenyan folk and Thai garage rock; late 70s drum machine gospel from Inkster, Michigan, and private press psych from the Pacific Northwest; mid 80s Congolese electronic soul and Senegalese art-funk; Zambian highlife circa 1991 and experimental computer music made in a juvenile detention center in modern day Albuquerque. The same Hawa Daisy Moore mp3 files that were used in the inaugural Blue August Moon eleven years ago – the crackling tropical oasis showing signs of increased deterioration. These are just some of . . .

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You’re Future’s In Space: Eddie Harris on Atlantic (A Mixtape)

Eddie Harris Jazz MixtapesPosted on

From the late 60s through the mid-70s, Eddie Harris indulged in a string of progressively freakier, beautifully executed records that smeared boundaries, blew minds and sold poorly. This mixtape collects two and a half hours of the most adventurous moments from those heady Atlantic days . . .

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Prairiewolf :: Upslope Brewing Company, Boulder, CO (7/5/25)

PrairiewolfPosted on

While Phish was playing a three-day run at Folsom Field at the University of Colorado this past Fourth of July weekend, the cats in Prairiewolf were playing an epic two-hour set at a brewery on the other side of Boulder. A pristine recording of the show catches them unspooling their already-potent album tracks into stretched-out improvisational odysseys . . .

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Various Artists :: Maybe I’m Dreaming

CompilationPosted on

With twenty selections culled from private press relics only, Maybe I'm Dreaming is a grab bag that feels as congruous as it does eclectic. From the Anthology Recordings diggers who brought you essential previous compilations like Sad About The Times, this collection is a self-described conscious detour, pairing synth-driven gems and reggae rhythms with rootsy AOR folk rock. Like a mixtape from a reliable old friend, Maybe I'm Dreaming feels curated with purpose and delivered with a panoramic reach . . .

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Blake Mills & Pino Palladino :: That Wasn’t A Dream

Blake Mills Pino PalladinoPosted on

That Wasn't A Dream, the new album by Blake Mills & Pino Palladino, was recorded in a series of live sessions at Sound City Studios, and works like a redux jazz version of Mills atmospheric, cinematic, dream-like aesthetics, best showcased in his 2023 slow indie gem Jelly Road . . .

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Sunking :: I Don’t Like My Telephone

SunkingPosted on

A spin-off of adventurous jazz fusion band High Pulp, sunking prioritizes brief, transient grooves and restless rhythms. On their third album, the trio enlists guest vocalists from their native L.A. scene and cuts down on their previous sprawl. Hazy, chewy, curious and cool, sunking has made an album for endless weird summers, ideal for indoor living, tiny twilights and evening escapades . . .

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Vish Khanna of Kreative Kontrol :: “The Creative Motivation Remains the Same”

The AD Interview Vish KhannaPosted on

This week, music journalist Vish Khanna published the 1,000th episode of his long running Kreative Kontrol podcast, a fascinating conversation with the ever-prolific Ty Segall. And while lesser broadcasters might take a few weeks off for a leisurely victory lap, Khanna instead just got to work putting the finishing touches on episode 1,001 (also published this week). Khanna joins us to discuss the milestone . . .

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Posted on The AD Interview Vish Khanna

Catching Up With Adrian Sherwood

Adrian Sherwood The AD InterviewPosted on

While collaboration has been a hallmark of Adrian Sherwood’s storied career, he is currently stepping out on his own with a full-length The Collapse of Everything and an EP The Grand Designer, his first solo efforts in 13 years. We recently connected with him to discuss this new work, his ever-evolving set of studio tools, his history in music and his lifelong commitment to learn and grow . . .

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