Amplitude modulation via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.
34.1090° N, 118.2334° W . . .
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Funk is its own reward. Talkbox Stevie Wonder and co. performing on the Soul! television show, WNET, New York, November 19, 1972. "Papa was a Rolling Stone" / "Superstition" / "Maybe Your Baby" / "Superstition Outro . . .
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Our guest this week is mystic poet, writer, publisher, and performance artist Janaka Stucky, who’s been hailed as “extraordinary" and "riveting” by no less an occult authority than Jimmy Page of Led Zeppelin. Today on Transmissions, he discusses adapting his epic poem Ascend, Ascend with Lori Goldston, and reflects on the dread-soaked nature of reality . . .
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Ital and vital. Produced by Joe Gibbs and engineered by Errol Thompson, Prince Far I, aka the Voice Of Thunder, dropped this slab of essential roots reggae in 1976. His grizzled ropeadope delivery scorching the LP's ten tracks, Far I's epic toasting (or chanting, as he preferred) is on full display riding a wave of rumbling bass, subtle dub effects, percussion and organ . . .
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Jon McKiel is responsible for one of our favorite records of 2020, the wildly hypnotic collection of songs that is Bobby Joe Hope. In anticipation of its follow-up, we caught up with the Canadian musician as he lays down his inaugural Lagniappe Session, paying tribute to both a '70s childhood AM radio staple and what is sure to become a future classic . . .
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“Have you ever thought of dancing as moving into time?” asks Nico Paulo, a kaleidoscopic, technicolor shuffle of horns, guitars, and percussion swirling across her breathy tenor. If you haven’t, that will likely change after listening to the St. John’s-based, Portuguese-Canadian artist’s self-titled debut. A bright, sweeping album of Tropicália-inflected jazz-folk & dream-pop . . .
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A wondrous slice of high, lonesome ambient beauty. This is the work of Tulsa-based Dylan Golden Aycock, who has been bringing us beautiful sounds for some time now, whether under the Talk West moniker, his own name or as the guy behind the Scissor Tail Records label (home to Bruce Langhorne’s classic Hired Hand OST, Scott Hirsch’s killer LPs and the recent/stellar John Fizer collection, among many others). A reliable source in uncertain times . . .
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It's spring, which means this acoustic jazz disc makes its annual appearance. Released in 1998, So What gathers up selections recorded by frequent collaborators Jerry Garcia and David Grisman between 1990 and 1992. Flanked by Jim Kerwin (bass), Joe Craven (percussion) and Matt Eakle (flute), the album is comprised of eight tracks riffing on Miles Davis/Milt Jackson along with the Grisman original, "16/16 . . .
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Together as Symphony Music, Max Turnbull of Badge Époque Ensemble and Michael Rault have created Radiant Music, a zone where freak-friendly psychedelia, jazz, funk, and soul exist in a state of constant crossover. The Toronto twosome joined us to the radiance they found together and the influence of "The World Band in the World," 10cc . . .
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O’Gara was a real nowhere man. Retracing his steps it quickly became clear that he was from a weirder, wilder America. A country where you could easily fall through the cracks . . .
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Released in 2009, the third installment of Inspiration Information, Strut Records collaborative artists series, paired Ethio-jazz giant Mulatu Astatke with the London based Heliocentrics collective. A sinuous and sublime fusion . . .
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Bonus Tracks: more castaways from the compact disc era! We’ve been rifling through dusty CD stacks and Case Logic binders to rescue some of the best bonus tracks from days gone by. This time around Justin Gage and Tyler Wilcox offer up some sweet action from a few favorite British artists . . .
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Western skies extend uninterrupted in every direction, and so, too, does Jeffrey Silverstein’s spaghetti western psychedelia. Here, in ruminative speech-song and drifting instrumentals, the Portland’s space cowboy explores the cosmos with Rose City twang-maestro Barry Walker Jr. on pedal steel, Akron Family’s Dana Buoy on drums and Alex Chapman on electric bass . . .
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Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.
34.1090° N, 118.2334° W . . .
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Courtesy of the great bigfootpegrande YouTube channel, this audience tape from Codona's D.C. stop in 1983 captures two sets, each moment brimming with imagination and curiosity. A joyful noise, with multiple peaks, including a gorgeous “New Light” and Don’s West African train dream blues “Clicky Clacky.” All aboard . . .
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