Posts

Muriel Grossmann :: Devotion

Muriel Grossman already has a formidable discography, releasing over a dozen albums over the last fifteen years, mostly on her own DreamlandRecords label in Spain; so, it's a little shocking that her stateside debut is this late coming. But the double LP Devotion on Jack White’s Third Man Records, does not blow the opportunity. If this is the first thing you are hearing from her, you may be taken aback by how confidently this group traces the many musical tributaries in and out of American soul . . .

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Pedro Ricardo :: Soprem Bons Ventos

Soprem Bons Ventos, the title of Porto-born, Berlin based multi-instrumentalist, producer and DJ Pedro Ricardo’s debut album, released last year on Soundway Records, translates to “Good Winds Blow,” a deceptively placid phrase for a record that alchemizes tranquil folk melodies with frenetic energies that meld genre, place, and time . . .

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The Lagniappe Sessions :: Reverend Baron

The Lagniappe Sessions return in 2024, this time stepping into the world of Reverend Baron, the nom de tune of LA based singer-songwriter Daniel Garcia. For this installment of the series, the multi-instrumentalist, engineer, and producer reflects on early '70s Randy Newman, the title track from British singer-songwriter Labi SIffre's 1972 LP, Paul Simon's "Nobody", via the 1980 film One-Trick Pony, and the enigmatic Lewis Baloue's "Let's Fall In Love . . .

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The Aquarium Drunkard Show: SIRIUS/XMU (7pm PST, Channel 35)

Pacific Nocturne. Via satellite, transmitting from northeast Los Angeles — the Aquarium Drunkard Show on SIRIUS/XMU, channel 35. 7pm California time, Wednesdays.

34.1090° N, 118.2334° W . . .

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Transmissions :: Michael Shannon and Jason Narducy on R.E.M.

Welcome back to Aquarium Drunkard Transmissions with Jason P. Woodbury. We're kicking off our 2024 season with two very special guests: Michael Shannon and Jason Narducy, discussing their love of and tribute to R.E.M.’s Murmur. Plus: Lou Reed, Sunny Day Real Estate, and best of all, Michael’s run in with Bob Dylan . . .

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Penza Penza :: Electricolorized

Electricolorized is a decidedly slinkier affair than its stomping predecessor, Neanderthal Rock. Panfilov still scribbles with his sub-basement guitar fuzz, but elements of easy listening, 60s French chanson, Joe Meek sound effects and tasteful David Axelrod-style jazz-funk are slipping into the mix. Still, Penza’s ultra-tight rhythm section never ceases to bounce . . .

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Ariel Kalma, Jeremiah Chiu & Marta Sofia Honer :: The Closest Thing to Silence

Avant-new age pioneer Ariel Kalma joins up with younger explorers Jeremiah Chiu & Marta Sofia Honer for The Closest Thing to Silence, a kind of metaphysical journey through the elder electronic musician's oeuvre . . .

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Träd, Gräs och Stenar: A Collective History

The greatest rock doc never filmed, Träd, Gräs och Stenar: A Collective History chronicles the continual evolution and rebirth of Sweden’s hard jamming ambassadors of free-range psych. Part art book, part oral history, the book puts you smack in the thick of TGoS’ heyday, as testimony from group members and close associates comprise a vivid composite portrait of the collective’s life in the Swedish underground and beyond . . .

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Cowboy Sadness :: Selected Jambient Works, Vol. 1

Cowboy Sadness is comprised of guitarist Peter Silberman of The Antlers, drummer Nicholas Principe of Port St. Willow, and keyboardist David Moore of Bing & Ruth (and his recent, well-received collaboration with Steve Gunn). I can’t shake the feeling that this is, at least in part, a piss-take. Cowboy Sadness is a hilariously on-the-nose name for an ambient country project, and an implicit skewering of a genre that sometimes gets a little cheerless in its high lonesome drift. Titling their debut Selected Jambient Works, Vol. 1 makes it, somehow, even funnier.

And naming tracks “First Rodeo . . .

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An Abstraction of Peculiar Experience :: Tom Lunt On William Eggleston

Tom Lunt on producing music by Memphis photographer William Eggleston and assorted collaborators: Brian Eno, Matana Roberts, Sam Amidon, and others . . .

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Vijay Iyer, Linda May Han OH, Tyshawn Sorey :: Compassion

Get pianist Vijay Iyer in a trio and just see what happens. On last year's visionary Love in Exile, he explored psychic heights and chasm-deep spaces with vocalist Arooj Aftab and bassist and electronics wizard Shahzad Ismaily. And now, "Compassion," the lithe title track from his forthcoming ECM outing with bassist Linda May Han Oh and drummer Tyshawn Sorey . . .

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Manuel Göttsching & Michael Hoenig :: Early Water

A long-lost rehearsal tape for a 1976 tour that never happened, Göttsching and Hoenig's Early Water occupies a special place in the Ash Ra mythology. When so much of the Berlin space music scene was opting for massiveness, Göttsching and Hoenig recorded a beautiful, liquid jam of buoyancy and light . . .

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Yohei :: Echo You Know

Legendary musician Makoto Kubota describes Echo You Know as a "sound postcard from Los Angeles", adding that he'd like to hear Yohei to produce the Beach Boys. Co-released by Japan's Think! Records and his own fresh Passing By imprint, the record is the most fully realized effort of multi-instrumentalist Yohei Shikano . . .

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Fur Trader :: Exit Signs

Recalling the jangly bittersweetness of Elliott Smith and Jon Brion, the latest single from Los Angeles-based Fur Trader is an introspective ode to doubt and uncertainty, as instantly catchy as it is contemplative . . .

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Anna Ahnlund :: Omnejd

A reminder that in a world of beautiful sounds, jewels can be discovered at any point. In the ten years since its release, Anna Ahnlund’s Omnejd has seemingly been a lost opus standing with the best of the freak-inclined folk world. With a host of perceived influences running the gauntlet from Vashti Bunyan to Andrew Bird to Devendra Barnhart, and accolades in her home Sweden, it must be some sort of oversight that this record has remained aloof for so long . . .

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