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Don Covay :: The House of Blue Lights

Released in 1969, The House of Blue Lights was Don Covay's bold, adventurous attempt to reach an underground audience. Here Covay is backed by the white-hot Jefferson Lemon Blues Band, credited on the album jacket. Prior to this LP Don Covay released two of the finest soul/pop albums of the 60's, Mercy! and See-Saw.

The . . .

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Jet Harris & Tony Meehan :: Wild One (Real Wild Child)

The studied cool and devil-may-care attitude that simmers just beneath Jet Harris's "Wild One (Real Wild Child)" propel the tune as much as the very instruments. The swagger that emanates from the speakers reminds us they just don't write and record them like they used to. You've most likely heard other versions riffing on this song, but this is the best.

MP3: Jet Harris & Tony Meehan :: Wild One (Real . . .

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SIRIUS/XMU :: Aquarium Drunkard Show

Our weekly two hour show on SIRIUS/XMU, channel 26 (SIRIUS), and channel 43 (XM), can now be heard twice, every Friday - Noon EST with an encore broadcast at Midnight EST.

SIRIUS 160: Jean Michel Bernard - Generique Stephane ++ Jet Harris & Tony Meehan - Wild One (Real Wild Child) ++The Attack - Go Your Way ++ The Olivia Tremor Control - Jumping Fences ++ The Kinks - Arthur ++ The Beach Boys - Passing By ++ Relatively Clean Rivers - Easy Ride ++ Black Lips - It Feels Alright ++ Dirt . . .

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AD Presents :: Portugal. The Man – Fall Tour 2010

AD is set to present the entirety of the Portugal. The Man tour this Fall. Those of you who have seen this band live need no further explanation, but for those who have yet to catch them, their live show is, in a word, an experience. Maybe that's two words, I don't know...point is, they go off. Throughout the next month look for ticket giveaways, guest posts (a rumored follow-up to John's last Diversions on Sci-Fi in the Alaskan wilds), videos, radio sessions and more. Tour dates + ticket giveaway information after the jump.....

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The Walkmen :: The AD Interview, 2010

The Walkmen’s latest record, Lisbon, is another set of glossy black-and-white drama from the New York quintet.   Like You & Me before it, Lisbon paints its portraits of drawn-out relationships with wiry guitars and off-center drums.   Aquarium Drunkard caught up with vocalist Hamilton Leithauser a few days before Lisbon’s release.
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Aquarium Drunkard: How are things going on the road, how are the new tracks working out?

Hamilton: We’ve only done two shows, but they’ve both been really fun.

AD: I guess at this point in the game, since the record comes out on Tuesday, everyone’s heard all the songs already.

Hamilton: People sorta know it. We opened last night for the National, so most people were there to see them. They seemed to know the old stuff a little better. But then we played our own show in Seattle the other night, and they knew all of them. It was like they’d been listening to it for a while.

AD: I noticed on the forum on your website, the lyrics were posted like two months ago.

Hamilton: Yeah, that’s pretty telling.

AD: You said in 2008 that you wanted to branch out with You and Me. What was the approach for Lisbon?

Hamilton: It’s sort of what you’re always trying to do. In all the steps, we’re trying to make something that you want to keep making. It’s only fun if it feels new and different to you. But it’s also a process. As soon as we finished You and Me we started writing Lisbon–before You and Me was even out. That’s the whole point of it, is to keep trying to do something, to keep it as different as you can.

AD: Did you close the door on You and Me and say, “Okay, now we’re going to start the new record,” or do you just keep writing?

Hamilton: It’s a tough moment when you finish. We’ve been writing new songs, actually. It’s just a process where you keep going, and at some point you say that you’ve got a record and you have to figure out which tracks to use. When you’ve done that, it’s like a landmark, but in your head you keep going and you’ve got this record you can refer back to and say, “Okay, I don’t want to sound like that anymore.”

CONTINUE READING AFTER THE JUMP...

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Women :: Public Strain

On Public Strain, I constantly feel like I’m staring at an unrecognizable and clawed-at photo. It looks familiar. Like a friend or a place that I know well yet can’t firmly identify. I continue to pull the photo closer and begin to enjoy the imperfections (faded color, ripped edges and wrinkled integrity) and no longer feel or desire any relation to the subject. By no means . . .

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Tony Owens :: I Got Soul

Some records have the ability to get under your skin and change the entire trajectory of your listening habits. A couple of months ago, I Got Soul, by New Orleans' Tony Owens, is one such album. A gritty, no frills, southern soul monster from the late 60s and early 70s, the collection, released by Grapevine Records, has had me reaching for little else than my old soul and r&b platters. Good records are like that. Check the title track below, and if you . . .

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Brian Wilson :: L.A. Smog (Spoken Word)

The first track on last month's Still Burnt (LA Burnout pt. 2) is a meandering Brian Wilson vocal rap taken from an old 70s interview. His 'thoughts' on the Los Angeles smog problem are placed over a bed of music (the High Llamas). Here is the original, sans music, for those interested. Brian, ya better get back in bed, brother.

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Ladies and Gentlemen: The Rolling Stones (1972 Concert Film)

Fellow Stones freaks have no doubt crawled youtube and the net for gems like the video (after the jump) of the band ripping "Happy" during the 1972 Exile On Main Street tour. I wasn't born yet, so catching Ladies and Gentlemen: The Rolling Stones last week at Regal Cinemas in downtown L.A. was about as close as one can get without having been there. Capturing the band in the midst of the Exile tour, the film is a raucous document of the band at the top of their live game (and a must-see on the big screen if showing in your town).

The film will be released on DVD/Blu-Ray on October 12, 2010. Supplements to the concert footage will include your rehearsal footage from Montreux, a 1972 Old Grey Whistle Test interview with Mick Jagger, and a 2010 interview with Jagger.

The above photo, of Charlie Watts, was taken in the basement of Villa Nellcî´te recording drums for Exile in 1971. Great collection of Dominique Tarlé's images from Nellcî´te at the Stones website.

Previously: The Rolling Stones :: Main Street Revisited, Mickboy Remasters

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Wonderland :: 1977 Dutch L.A. Documentary, Chapter1

Speaking of L.A. Burnout, the above video is part one of a1977 Dutch produced documentary covering the, then, up and coming Los Angeles music scene featuring Warren Zevon, Linda Ronstadt, Bonnie Raitt & Jackson Browne.

Links: Warren Zevon at Griffith Observatory, Linda Ronstadt in studio “Tracks Of My Tears” alternative studio . . .

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SIRIUS/XMU :: Aquarium Drunkard Show

Our weekly two hour show on SIRIUS/XMU, channel 26 (SIRIUS), and channel 43 (XM), can now be heard twice, every Friday - Noon EST with an encore broadcast at Midnight EST.

You can download today's session with Roadside Graves here...

SIRIUS 159: Jean Michel Bernard - Generique Stephane ++ J. Tillman :: Tonight’s the Night ++ Roadside Graves :: Anthony's . . .

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The People’s Temple Choir :: He’s Able

(Guest post from travel/music author Brian Kevin discussing his recently released piece on the Jim Jones backed People's Temple Choir and, their album, He’s Able. Great stuff. - AD)

For years before the Jonestown Massacre made the group infamous in 1978, the California religious sect called Peoples Temple was known for three . . .

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Diversions :: Great Lakes on writing Ways of Escape

October 12th sees the release of Great Lakes fourth album, Ways of Escape. Below, founding, and constant, member Ben Crum reflects on the process, and hurdles, it took to get there.   Great Lakes will play a record release show, with the full band that played on Ways of Escape, at The Rock Shop in Brooklyn on October 24th.
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"Bands, those funny little plans that never work quite right." — Jonathan Donahue of Mercury Rev

I'm 36 now, and have been playing music and putting out records for a long time. My band, Great Lakes, began in Athens, Georgia in 1996. A self-titled debut came out in 2000, followed by The Distance Between in 2002 and Diamond Times in 2006. Ways of Escape is the new one, to be released October 12th, 2010, and, in its way, it turned out to be something of a debut for me–which is strange, because I've played on a lot of different records and in many bands over the years.

Great Lakes began based around the songwriting collaboration between me and an old friend and lyricist, Dan Donahue, with whom I'd written songs since we were in high school. We wrote the first three Great Lakes records together, collaboratively–I wrote the music and he wrote the words. In the early days of the band Jamey Huggins, who played with of Montreal for many years and recently released a record under the moniker James Husband, played an important role as a multi-instrumentalist. Counting people that have either played on the records and/or in the live band, I've worked with well over 30 different musicians since Great Lakes began–but the "band," for the last few years, has essentially been just me and whoever is playing with me at any given time. Though I still do some full band shows around New York, these days I prefer to tour with a duo line-up–me on guitar, and a drummer, Kevin Shea, who has been with me for 4 years now. But, though my new record features Kevin on drums and 8 other accomplished and talented musicians playing a variety of instruments, in a sense I'm basically the last man standing, the Great Lake.

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Hopscotch Music Festival

(J. Neas reports from his native North Carolina on last weekend's inaugural Hopscotch Music Festival.)

Living in the South can be a frustrating endeavor when it comes to getting great concerts. Bands often seem to think that the region consists entirely of Washington, D.C. and, perhaps, Atlanta. But thankfully, Greg Lowenhagen and Greyson Currin of Raleigh, North Carolina's Independent Weekly decided that it was time to fix that. Thus, they helped to create the Hopscotch Music Festival that happened in Raleigh this past weekend. Aquarium Drunkard was on the ground for all three nights of the fest.

Earlier this year, AD spoke with Currin and Lowenhagen about the festival. "[The Triangle (Raleigh/Durham/Chapel Hill) scene] is what it is. It's the product of a few separate, but connected, small but mid-size cities. It's not New York. It's not that big, obviously. But in terms of the size of these towns, it's an extremely productive and passionate group of musicians," said Currin when I asked him about the city's scene in comparison to larger cities that are the more typical hosts for a festival of this size. Currin is also a staff writer for Pitchfork Media and I posed this question to him as someone who would have a sense of how the Triangle stacked up. "Something to keep in mind is that for every band like Bowerbirds or Megafaun or the Rosebuds, Love Language - bands that are on the national radar - there are literally hundreds of bands in this relatively small community and they're playing every night. That's the essence of this scene here."

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Tom Waits :: Orphans: Vinyl Edition Tracks

For those of you who purchased the Orphans: Brawlers, Bawlers, and Bastards collection on vinyl, upon its 2009 release, the following is old news. But if you, like me, have the set on compact disc, keep reading. The vinyl release of Waits' odds and sods compilation came with an additional six bonus tracks: "Crazy Bout My Baby," "Diamond In Your Mind," "Canon Song," "Pray," "No One Can Forgive Me," and ""Mathie Grove

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